Just as we did last week when we covered the album of the year for the album of the week, we are continuing it by cover the Rock album of the year as voted by you the fans. At the Sixth Annual Monster Entertainment Awards, the Deftones took him the rock album of the year award for their eight studio album Gore. The album featured the usual suspects in Chino Moreno (Vocals/Guitar), Stephen Carpenter (Guitars), Abe Cunningham (Drums), Sergio Vega (Bass), and Frank Delgado (Samples/Keyboard) and it was produced by Matt Hyde (Hatebreed, Parkway Drive) as well as the Deftones. When released, the album charted at number two on the Billboard Top 200 charts making it the highest charted album from the band since 2003’s self titled album and it was also their highest amount of albums sold in the first week (69,000) since 2006’s Saturday Night Wrist (76,000). It’s also the first Deftones record to hit number one in Australia and New Zealand.
1. Prayers/Triangles– The very first track on the album that kicks things off in the right direction. The song starts off very atmospheric especially with the guitars and the band lays it down during the chorus. I feel like the track is talking about someone who wakes up one day, but realizes that he is trapped inside this hell. 5/5
2. Acid Hologram– The track picks up right where the last left off with it’s post punk laced rhythms. The track could be talking about how he is trying to be close to someone and they push him away, but that will soon change. 4.5/5
3. Doomed User– This is more of a traditional sounding Deftones track with the big bass riff and the in your face groove laden guitar track and amazing vocals from Moreno. 4/5
4. Geometric Headdress– The experimental side of Deftones is alive in this intense math rock track that tests Cunningham’s abilities to which he shines. 4.5/5
5. Hearts/Wires– starts off very space rock like thanks to the samples Delgado provides in the beginning. The track starts off more mellow than previous tracks, but don’t worry t has it’s moments of heaviness. It seems to be about some one is distraught over not being able to connect with someone who has passed or gone away. 5/5
6. Pittura Infamante– I believe the title itself means infamous painting, but I’m not sure that is what they are talking about here in this track. It seems to be a song about worshiping someone and the lengths we go to do so. 4.5/5
7. Xenon– Another track that has a little bit of a classic Deftones feel to the guitar track while have that New Wave flavor to it. Like Xenon which lives undetected, he is talking about being that thing inside you that makes you do what you do. 5/5
8. (L)MIRL– A track that takes you deeper into that world that Deftones are painting with the experimental elements. The song is definitely dark in nature as far as the gloomy guitar riff in the beginning and progresses with a cool metal guitar riff later on. 4/5
9. Gore– A real hard charging metal riff starts off the track that reminds us of what the band had accomplished on the last two records. 4/5
10. Phantom Bride– a pretty cool track on the album that features Jerry Cantrell from Alice In Chains providing the guitar solo. 4.5/5
11. Rubicon– The last song on the album that is a genuine riff fest for Carpenter and company, but an amazing way to close out the album. 5/5
My Final Thoughts– You can definitely tell that the band was heavily influenced by Moreno’s side projects as they’ve all adopted that atmospheric sound. I think it pushes the band forward as far as what they are capable of producing even though Diamond Eyes and Koi No Yokan are considered masterpieces. I am giving the record 4.5 stars out of five for a final grade.