LAs I had said before, back in September of 2018, we started tackling Loudwire’s 50 Best Metal Albums of All Time list and 35 albums later and we are finally at the finish line. Back when I reviewed Metallica’s Ride The Lightning, I said that was the greatest thrash metal album of all time because it still had the fury of the first record matched with the talented writing of Cliff Burton. Now I present to you what could be considered one of the greatest metal albums in Metallica’s third album Master Of Puppets. The album once again featured James Hetfield (Lead Vocals/Guitar), Kirk Hammett (Lead Guitar), Lars Ulrich (Drums), but unfortunately this was the last album to ever feature Cliff on Bass Guitar as he died in the bus accident. It was rather unfortunate because this was Metallica in their musical peak as far as being a metal band was concerned. Cliff was an amazing contributor to the band and this was the pay off of all that work. The album was such a success for the band that it peaked at number 29 on the Billboard Top 200 Charts and was the first thrash metal record to go Platinum as it did six times.

metallica-master-puppets-digipak-imported-cd-discplayer-1809-13-F1198959_21. Battery– The track starts off with an acoustic guitar intro before it kicks into metal overdrive in this track that is all about battery as in assault and battery. 5/5

2. Master Of Puppets– The title track and one of Metallica’s greatest songs that features a song structure similar to The Four Horsemen as far as how it is set up (2 verse/chorus set, lengthy interlude, verse/chorus set). The track is bad ass, but it’s about cocaine addiction. 5/5

3. The Thing That Should Not Be– The heaviest track on the album with it’s down tuned Black Sabbath influence is all about the monster Cthulhu made famous by H.P. Lovecraft. I read that the main riff is supposed to sound like the beast dragging itself back into the sea. 5/5

4. Welcome Home (Sanitarium)– Metallica set the pace for Power Ballads with Fade To Black and they crushed it with this track that alternates between 4/4 and 6/4 time signatures. The track’s lyrics are based off of the book One Flew Over The Cuckoo’s Nest by Ken Kesey referring to patient trapped in a metal institution. 5/5

119071737-35. Disposable Heroes-a track that is just absolutely in your face intensity from start to finish that is an anti-war song about a soldier whose fate is decided by his superiors. The cool thing I read is that the end of each verse, the riff Hammett plays is supposed to imitate music found in war films. 5/5

6. Leper Messiah– The track starts with the band counting down until the freigh train intensity hits you in this song that is all about the explosion of TV Televangelists in the 1980’s and how people were so blindly willing to throw money at these frauds. 5/5

7. Orion-an instrumental track on the album that is meant to highlight the brilliance of Cliff Burton and his amazing bass playing featuring parts that were written and orchestrated by him. 5/5

8. Damage, Inc.- The last track on the album that starts with bass riffs that were based on parts of Johann Sebastian Bach’s Come, Sweet Death before exploding into a riff written in E that was influenced by Deep Purple according to Hammett. The song is all about senseless violence. 5/5

My Final Thoughts-As I said before that this may be one of the greatest Metal albums ever written as Loudwire ranked it 2nd on their 50 Best Metal Albums of all time list. Every track on the album kicks ass so back and enjoy this lesson in metal greatness. Thew album gets Five stars out of five for a final grade.

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