Posts Tagged ‘Aerosmith’

aerosmithThis past Sunday, we held MusicBowl 53 where we allowed you the fans to vote as Aerosmith (representing New England) took on Motley Crue (representing LA) to coincide with SuperBowl LIII. After collecting your votes on the blog and on Twitter, Aerosmith was the winner of the MusicBowl. As is tradition on the blog, we cover an album from the winning band for the album of the week post and for this week’s we chose Toys In The Attic by Aerosmith. The bad boys of Boston which was made up of Steven Tyler (Vocals/Keyboards/Harmonica), Joe Perry (Lead Guitar), Brad Whitford (Rhythm Guitar), Tom Hamilton (Bass), and Joey Kramer (Drums) released their third studio album on April 8, 1975 via Columbia Records and was produced by Jack Douglas. The album is the band’s most successful album in the United States selling over 8 million copies while peaking at number 11 on the Billboard Top 200 Charts. Rolling Stone ranked Toys In The Attic 229 on their The 500 Greatest Albums of All Time list.

4DA2205A-7F67-404F-81AC-C65008FA9907_530x1. Toys In The Attic– The title track kicks off the album in style to which Tyler recalls, “Joe was jamming a riff and I started yelling, ‘Toys, toys, toys…’ Organic, immediate, infectious…I just started singing and it fit like chocolate and peanut butter. Joe plays his ass off on that song.” 5/5

2. Uncle Salty– Is kind of a creepy song that Tyler has said that it is about an orphanage where a man named Uncle Salty works at and has his way with a girl there. Tyler said, “Salty worked in a home for lost children and had his way with this little girl. That’s what it’s about. I’m the little girl, the orphaned boy. I put myself in that place. I’m Uncle Salty too.” 4/5

3. Adam’s Apple– a bluesy track where Steven takes the time to use the story of Adam and Eve to explore man’s behavior when it comes to sexuality. 4.5/5

4. Walk This Way-This is the original version of the track before Run DMC came around in a track that is all about a high school kid who loses his virginity. There’s a funny story about the origins of the lyrics. Tyler left the original lyrics inside a cab in New York and had to rewrite them in the studio. 5/5

5. Big Ten Inch Record-This is the band’s cover of Bullmoose Jackson’s track and Aerosmith does a great job with it. 4/5

aerosmith toys6. Sweet Emotion– One of my all time favorite Aerosmith song’s that I first heard when I watched the film Dazed And Confused. The song was written by Tom Hamilton who came up with the bass riff that was played alongside an bass marimba in the beginning. The track also featured a talk box and what Tyler describes, “On ‘Sweet Emotion’, we used these backward handclaps and four of us in the studio chanting, ‘Fuck you, Frank.’ If you play it backward, you can hear this.” 5/5

7. No More No More-a track whose lyrics Tyler describes saying, “On a song like ‘No More No More,’ the lyrics came from my verbal diarrhea, a mishmash that I made up and eventually changed the lyrics to something cool…about life on the road: boredom, disillusion, Holiday Inns, stalemate, jailbait. My diary.” 4/5

8. Round And Round-a bad ass rock song from the band whose sound reminds me of a Kiss like track with the big bass riffs to match with the guitars in a track where Brad Whitford plays lead guitar on. The lyrics seem to be talking about life as a musician and how ti just spins out of control, but it just goes round and round like a vicious cycle. 4.5/5

9. You See Me Crying– The last track on the album that the band has stated was a pain in the ass to record because it took so long due to complex playing. It’s a piano ballad that for a while Tyler didn’t remember recording due to the memory loss from the drug use. 4.5/5

CS625486-01B-BIGMy Final Thoughts– This is definitely up there in the echelon of what is considered a classic Aerosmith record and it’s definitely top five for me, but to be honest I grew up a fan of 80’s Aerosmith. I have a new appreciation over the years for their 70’s material which is why I decided to visit it today. This album really put the band on the charts and it certainly paid off as even producer Jack Douglas saw that the band had matured while being on the road before recording this. My favorite track is Sweet Emotion, Walk This Way, the title track, and even Round And Round. Uncle Salty is my least favorite track on the album. I am giving the album 4.5 stars out of five for a final grade.

musicbowl 53Last year, we skipped doing MusicBowl 52 because I couldn’t find a suitable band from Philadelphia to challenge a band from New England. Well that has all changed thanks to some tweets and some Instagram posts courtesy of Nikki Sixx. Nikki has proclaimed his allegiance to the Los Angeles Rams on several occasions and I have seen Steven Tyler of Aerosmith sing the national anthem while wearing a Patriots jersey. So, I figured the perfect matchup for this year’s MusicBowl was to have to be Motley Crue vs Aerosmith as it is the LA Rams vs the New England Patriots in SuperBowl LIII (53 for those who do not know Roman numerals). It makes the most sense since Aerosmith threw the first shot at Motley Crue in 1987 with Dude Looks Like A Lady, but it didn’t matter much when Motley Crue silenced their critics with 1989’s Dr. Feelgood which happened to be the band’s biggest selling and charted album of their careers with great songs like the title track, Kickstart My Heart, and Don’t Go Away Mad (Just Go Away). One thing you do have to remember is that the original Toxic Twins were in Aerosmith who were making waves in the 1970’s when guys like Tommy Lee and Vince Neil were still in junior high. Both bands have had legendary careers and were the tops of their genre and have had some legendary comeback stories as well. The problem is that only one of them can win MusicBowl LIII much like only team will come up victorious tonight in Atlanta. I am going to run the poll in two areas with this one being one and the second run through Twitter where you will have until 8:30PM ET tonight to decide. Two legendary bands, but only one can win, vote and enjoy!!! Also below the voting poll is also some examples to help you decide.

new orderOne of my all time favorite and most underrated thrash metal bands of all time is the mighty Testament. There a band that while they may have gone through their trials and tribulations are still standing tall to this very day and that is why I love them. I remember as a kid, my brothers always tried to engrave in my head that one of the best Testament records is the band’s sophomore release The New Order which was released on May 5, 1988. While I do agree with them on that statement, I realized the other day that I had not yet covered the album for the album of the week and it’s this week’s album. The band at the time of the release was made up of Chuck Billy (Vocals), Alex Skolnick (Lead Guitar), Eric Peterson (Rhythm Guitar), Greg Christian (Bass), and Louie Clemente (Drums). The album did pretty well for the band as it established them on the scene as it peaked at number 136 on the Billboard Top 200 Charts, but obviously the follow up is what broke them through on the Thrash scene. Alex Skolnick talked about the record to Metal Injection saying, “We barely got done with our first couple of tours on that first album cycle when we were informed we have to have another album, soon! […] We got spooked in a way, because we never had to come up with music on the fly. […] By the time we finally recorded the album, we neglected to look at our recording contract. We actually had it in our contract that there’s a minimum of 40 minutes of music, and we clocked in under that! […] Our album was promptly sent back…we added the Aerosmith tune, we added those little instrumentals, we extended a couple of sections…that was all done so we wouldn’t be in breach of contract.”

new order back1. Eerie Inhabitants– The track slowly fades in with some eerie wind and thunder sounds while Skolnick and Peterson lead us in with some amazing clean channel guitar work before the track launches forward. I feel like the track is talking about how there are those who toil with life while other suffer and to them life is a game. 4.5/5

2. The New Order– Skolnick opens up the track shredding away in this amazing track that tackles the idea of the New World Order. 5/5

3. Trial By Fire– One of the best tracks on the album that is supercharged and in your face as I believe Chuck Billy is singing about a man who is accused of a crime he has not committed. Some believe that just because of the band’s name that there is a religious connotation to it, but I am not buying that. 5/5

4. Into The Pit– a thrash classic that has that in your face mentality that we love from that era and it features an incredible solo work from Skolnick in a track that could be talking about hell or moshpits. 5/5

5. Hypnosis– the first of two instrumental tracks on the album and a very cool one. 4/5

6. Disciples of the Watch-a very cool thrash song that I believe is about the film Children Of The Corn, but I could be wrong. This is probably one of the best Testament songs in their catalog in my opinion along with Souls Of Black and Perilous Nation. 5/5

Testament-The_New_Order-CD7. The Preacher– Nostradamus is a very popular figure in metal and he first gets his due in this all out metal assault that could be about him or someone who possessed the visions like he did. Chuck Billy also has a unique pitch in this track when he screams out The Preacher that I had not heard before. 4/5

8. Nobody’s Fault– A last minute addition to the album as the band chose this Aerosmith song to cover and I actually dig it, but my only criticism of it is Billy trying to do rock vocals on the track.  4.5/5

9. A Day of Reckoning– This is the last track on the album to feature vocals and they get a little political on this one as he sings about how the president literally controls our destiny and safety in the times of the cold war. Another track that features some solid guitar work from the duo and an amazing solo from Skolnick. 5/5

10. Musical Death (A Dirge)– The last track on the album and it’s an instrumental to finish things out. The track showcases what the band was capable of and why they belonged on the scene. 5/5

My Final Thoughts– In my opinion, this is one of the best albums the band ever recorded besides Practice What You Preach although I rank this one a little higher. My favorite tracks on the album are Disciples Of The Watch, Into The Fire, and Trial By Fire. My least favorite track on the album is The Preacher and Hypnosis, but I don’t hate the tracks. It’s just not my favorite of the bunch. I am giving the album 4.7 stars out of five for a final grade.

night songsMarch of 2013 was the very first time I decided to engage in reviewing all my favorite and new rock and metal albums for the album of the week. As of this point in the game, I have reviewed 259 albums and for some strange reason I have never covered one of my all time favorite debut records from a band from Philly. Aerosmith may have won the MusicBowl which for the first time I ran exclusively on Twitter, the Philadelphia Eagles won the Super Bowl and I want to cover an album from Cinderella. The band was made up of Tom Keifer (Lead Vocals/Guitar), Jeff LaBar (Guitar), Eric Brittingham (Bass), and Fred Coury (Drums, did not play on today’s album). On August 2, 1986, the band would release their debut album Night Songs after Jon Bon Jovi had discovered the band. Earlier I mentioned that Coury did not play drums on the record because that distinction belonged to former Boz Scaggs drumer Jody Cortez who was replaced before the album’s release. The album would have a ton of success as it peaked at number three on the Billboard Top 200 charts and it sold over 3 million copies go triple platinum.

night songs back1. Night Songs– One of the coolest first tracks with it’s eerie brooding wind sound with the bells as the cool guitars of Keifer and LaBar set the tone for this epic blues hard rock song that is all about the grind of being a band. 5/5

2. Shake Me– The lead single off the album that actually failed to chart, but it’s a classic rock track that is all about having a good time with some babes. It’s still a classic live track that Cinderella plays all the time so who cares 5/5

3. Nobody’s Fool– The second single off the album that actually charted for the band, it’s the classic ballad complete with some keys in it. One of my favorite tracks from the band that is all about a girl who recently left them and he’s having trouble with it. 5/5

4. Nothin’ for Nothin’– This blues rock classic about a guy who just doesn’t know when to appreciate everything he has because he just keeps taking, but when it’s all said and done, he has nothing. 5/5

5. Once Around the Ride– a no nonsense hard rock track from the band in a track that is about a guy who doesn’t wait for no one. 4.5/5

cinderella-830-0762-m1-cd6. Hell On Wheels– A hard charging blues tinged track that is all about the band saying that they’re done waiting around cause they’re going to take over your town. 4.5/5

7. Somebody Save Me– The ultimate rock song from the band that just has so much swagger that I wish I could give it a six. It’s one of those balls to the wall track that is just monstrous with every strike of the chords. 5/5

8. In from the Outside– a blues rock track through and through and it seems to be about a guy giving a young buck some advice like before you go looking for hell, be prepared for what comes afterwards. 4.5/5

9. Push Push– A very cool track that has been a live staple for the band in a track that is all about given a little lovin, a push push. 5/5

10. Back Home Again– The last track on the album and the band decided to mix a little metal into the track which gives it a cool sound. I feel like this track could be a little autobiographical for Keifer. 4.5/5

My Final Thoughts– If you can get past the album cover then you will discover one of the best bands to ever come out of that scene. I am saying right now that while it’s unfortunate that we never got any more Cinderella albums, the evidence is right there in front of us. Every single track on this record can be played in a live setting and I almost heard every track from this live. Check it out for sure, I am giving the album 4.8 stars out of five for a final grade.

There was a time in the late 90’s and early 2000’s when bands were releasing all covers albums hoping to repeat the success that Metallica had with Garage Inc. Of course, not everyone is going to have the success that they had, but sometimes it’s cool to listen to these albums. I have always wondered at times what bands were influenced by and these albums give us great insight into that. Jani Lane was definitely one of my favorite vocalists from the 80’s Glam Metal scene and you definitely knew that he was into 70’s glam and rock and roll. In 2001, the band with Jani Lane decided to release an all covers album of their own called Under The Influence. The album featured the band covering the likes of Michael Monroe, Nazareth, David Bowie, Badfinger, AC/DC (sung by Billy Morris), and our featured artist Aerosmith. The band covered one of my all time favorite 70’s Aerosmith songs in the classic Toys In The Attic which is off the album of the same name. The song packs the same punch as the original, but while Lane is no Steven Tyler, he still does a terrific job with the song making it his own which isn’t that the point of it all. Check out the track below and while you’re at it, like the official Facebook page for Moshpits & Movies here:

I was trying to look up original music created specifically for movie soundtracks because that is what I wanted when I created Soundtrack Saturdays. So while on my search I came across an article from a website called Timeout and so I checked it out and stumbled upon an iconic picture in so many ways. The film was called Less Than Zero and it’s infamous because of Robert Downey Jr.’s storied drug abuse problem and it’s believed that he was perfect for his role in the film because he was using drugs at the time (allegedly). The film also starred Andrew McCarthy (Weekend At Bernies), James Spader (Avengers: Age Of Ultron) and Jami Gertz (The Lost Boys) as the film takes a look at the decadent youth of Los Angeles. Just as iconic as the film was the soundtrack that was provided for the film courtesy of Def Jam Recordings. The album featured a mix of Hip Hop, Heavy Metal, Hard Rock, Pop, and even R&B with artists like Public Enemy, Roy Orbison, Poison, LL Cool J, Aerosmith, Slayer, and our artist for today’s entry in Glenn Danzig & The Power And The Fury Orchestra. This is one of those rare projects for the former Misfits singer as he teamed up with his initial Danzig lineup which consisted of John Christ (Guitar) and Chuck Biscuits (Drums). Original Danzig bassist Eerie Von opted out of the song because he didn’t like the way Rick Rubin wanted his bass parts to sound like so George Drakoulias played the bass for the track. The song has a very classic sound to it like it was recorded in the 1950’s, but wit that dark gloomy feel of a Danzig track. It’s actually a pretty amazing and underrated track fro Danzig. You definitely need to check out the track below and if you get a chance, watch the film as well.

musicbowl 49As everyone knows, The New England Patriots are taking on the Seattle Seahawks and their Legion Of Boom in Superbowl XLIX (49). Both cities have a very unique music scene that has boasted some pretty big names over the years and with that being said, I present to you Musicbowl XLIX. New England may have a little bit of advantage as there are six states that make up the area to one city which is all Seattle is. New England has had some pretty legendary bands in Boston, The Cars, The J. Geils Band, and Aerosmith just to start this conversation. Seattle before a certain era had Ray Charles, Heart, Queensryche, and Jimi Hendrix was born there (Dick Dale was born in Boston). In the late 80’s and early 90’s a music scene exploded in the Seattle ea which would be known to the rest of the world as Grunge music which featured giants Nirvana, Pearl Jam, Soundgarden, The Melvins, and Alice In Chains as well as The Screaming Trees and Candlebox round out other bands in the scene. After a couple of Nu-Metal bands in New England formed like Staind and Godsmack, New England had it’s own musical scene explosion in The New Wave Of American Metal which boasted bands like Hatebreed, Killswitch Engage, Shadows Fall, and Unearth. Not to mention, we also had bands like Til Tuesday, Mission To Burma, Dropkick Murphys, The Mighty Mighty Bosstones, Joan Baez, The Pixies, and James Taylor. I know Seattle has the Foo Fighters as the current biggest band of America, but you can’t mess with the history that Boston and New England has for music even though it gets no respect from Dave Grohl and his Sonic Highways show. So, I ask all of you to decide who do you think has the better music scene New England or Seattle? Here are some videos to help you decide:

Pump Album CoverI realized that after reviewing 80 plus albums that I don’t think I ever reviewed one from the original bad boys of Boston in Aerosmith. So, I figured what better chance than now and what better album than the one that introduced me to Aerosmith in 1989’s Pump. Everyone thought that Aerosmith was done for in the business and that they had lost their glory. That was until the band returned with 1987’s Permanent Vacation which saw the band rise to new heights. Pump was an album that was continuing to bring Aerosmith into the right direction especially seeing as Desmond Child and Jim Vallance were helping them write hits. Child had resurrected Alice Cooper’s career in the 1980’s. Steven Tyler (Vocals), Joe Perry (Guitar), Tom Hamilton (Bass), Brad Whitford (Guitar), and Joey Kramer (Drums) were ready to rock and it showed as the album is tied for second for best selling Aerosmith album at 7 million (tied with Get A Grip and Toys In The Attic is number one with 8 million).

Pump back coverThe album starts off with an absolute straightforward blues rocker which kicks off the party right called Young Lust before we get into the other rocker on the album with it’s tongue in cheek sexual style lyrics called F.I.N.E. (Fucked Up, Insecure, Neurotic, and Emotional). The song title and it’s meaning is rumored to be a reference to AA and NA as a term they use to describe your state of being at the time you enter rehab. Love In An Elevator is a raunchy rock song about making love in an elevator which Tyler claims was an experience he had. Monkey On My Back is a hard charging rock classic that sounds similar to AC/DC’s Give The Dog A Bone about how the band overcame their battles with drug addiction. Jamie’s Got A Gun is one of the most recognizable Aerosmith songs to me since it was the first music video I ever watched from the band back in 1989. The song tackles a tough subject of sexual abuse from a father to his daughter which is Jamie and she ends up killing him. The Other Side is one of my favorite Aerosmith songs because it was a sleazy rocker with a horn section, but the song had some drama behind it. You see Aerosmith was sued by the writing team of Holland-Dozier-Holland who claimed the song sounded similar to their track Standing In The Shadows Of Love. So as part of a settlement the writing group received writing credits on the track.

Pump CDMy Girl is a blues rocker written by Tyler and Perry that touches upon old school blues while Don’t Get Mad, Get Even does the same, but we get to hear Tyler on the harmonica. Hoodoo/Voodoo Medicine Man features a cool intro that makes you believe you’re in the jungle before Aerosmith goes full throttle with the rest of the song. What It Takes is the best Aerosmith ballad ever written, but it’s actually one of the top 3. The track itself contains several references to other Aerosmith songs especially ones on this album. The first half of the album to me is where all the action is and quite frankly I feel that What It Takes saves the last half. It’s still a great album and there is a reason why it sold so many copies. I am going to give the album four stars out of five for a final grade.

717X-fRStVL._SL1036_I was trying to think of something special to have for the 50TH album of the week post on this blog. I had Pantera’s Vulgar Display Of Power as the 25TH album of the week and rightfully so as it’s my favorite album from them. So, since Mötley Crüe announced that they were going to do their final tour yesterday in a press conference which you can read about here. So, I decided to choose a Mötley Crüe record for the 50TH Album Of The Week considering they are my favorite band. The album I chose is celebrating it’s 25TH Anniversary on September 5 and at the time it was the last album that would feature Vince Neil on vocals until he returned for 1997’s Generation Swine. It was also the first album to feature what we were told was a fully sober Mötley Crüe who had their Girls, Girls, Girls tour cut short because their management felt they would have died in Europe if they had continued. It is also Mötley Crüe’s highest selling album and their first album to chart at number one on the Billboard Top 200.

61iLM692csLT.N.T (Terror In Tinseltown) is the intro to the album that kicks off with a solo from Mick Mars before we get some EMT’s speaking and police sirens before it kicks into the title track and first single off the record. Dr. Feelgood is the only gold certified single that Mötley Crüe ever had in their careers and it’s a track about the rise and fall of a Mexican drug lord. Slice Of Your Pie starts with a real bluesy beginning before it gets real heavy and sleazy. You can only imagine what the lyrics are about and it’s not food their talking about. Rattlesnake Shake continues the trend with a sleaze tinged blues track all about the way a woman moves her hips that leaves you hypnotized. Then the epic and amazing shot out of a cannon, freight train going a 1000 MPH, turbo charged I want to drive my car way past 100 Kickstart My Heart is next on the album. According to wikipedia, “The introduction is a classic example of a Floyd Rose bridge trick, in which Mick Mars drops three consecutive strings resulting in sound similar to a motorcycle shifting gears, borrowed from the similar-sounding intro to Montrose’s Bad Motor Scooter.” The song is about the 1987 overdose that Nikki went through, but I have to say that this may be one of the most ultimate rock songs of all time.

Motley_Crue-Dr_Feelgood-CDWithout You is the power ballad on the record which is rumored to be about Tommy Lee’s relationship with Heather Locklear. The song features Mick playing a slide guitar during the intro and solo to give the song a little something extra. Same Ol’ Situation (S.O.S) is a kick ass rock song about lesbianism which is still a concert staple to this day. Sticky Sweet is the power chord heavy sleaze rock song while She Goes Down gets a little naughty with the sound effects and you don’t have to be a genius to figure out what the song is about. Don’t Go Away Mad (Just Go Away) was always an ultimate must have track from this album in my opinion cause you can relate to it in so many ways. I always felt that it just spoke about life even though it has obvious references to their lives. Nikki once said that he heard it as a line from a film that he couldn’t remember (which was Heartbreak Ridge from 1986) and he also could have heard it in a Blondie song (doubt it) called Just Go Away.

File:WithoutYou.jpgTime For Change is the socially conscious Mötley Crüe at work, but the song features Sebastian Bach and Bob Dowd doing background vocals for the track as well as Bob Rock playing bass on the track. The album features various rock stars doing appearances on the record like Steven Tyler doing the intro to Slice Of Your Pie and background vocals for Sticky Sweet along with Bryan Adams. Robin Zander does background vocals on She Goes Down, Jack Blades On Same Ol Situation and Sticky Sweet. The other element different about this record was the fact that the album also featured background singers for the whole record that the band also brought out on tour with them in Donna McDaniel and Emi Canyn. I am giving this album four and the half stars out of five because it is the ultimate Crüe album that helped cement them as the kings of sleaze. I can not wait to see the Crüe this summer on their final tour ever.

File:The Cult Sonic Temple.jpg

courtesy of wikipedia

I remember the first time my oldest brother Lino bought the album Sonic Temple by The Cult, we were on our way to the Azores (Portugal) to visit family and we knew that it was going to be impossible to find anything in the Azores to listen to. I think I was six years old when he bought it, but I remember the fact that Fire Woman had amazed me to the point that I was hooked. I must have hit rewind a thousands times on my cassette player just to listen to that. This was the fourth release for the British rockers and it was the follow up to Electric (which is also an amazing album). It was the last album to feature long time bassist Jamie Stewart and the first to feature former Hall & Oates and Bryan Adams drummer Mickey Curry and of course Billy Duffy on guitars and Ian Astbury on Vocals. The album cover features Billy Duffy posing with his guitar as he obscures a picture of Ian Astbury in the background. The album was produced by rock mastermind Bob Rock who literally has the King Midas touch. Just look at Metallica and Motley Crue for example.

File:The Cult Fire Woman.jpg

courtesy of wikipedia

Sun King kicks off the album with it’s hypnotic guitar intro that leaves you weaving around like a snake before the song just explodes into a pure rock and roll classic. Ian Astbury’s vocals remind you of a bluesy Jim Morrison. Fire Woman was the bread and butter of this album as it reached number two on the Modern Rock Track charts back in 1989 and it was the first single released from the album. The track starts off much the same as the first track with the amazing intro before it kicks off on a hi-octane ride that you’ll never forget. This is one of the songs where Curry’s drum ability really shines through on the record. American Horse starts off a little different than the previous tracks, but it’s one hell of a blues rock song that has swagger.

File:Edieciaobabycover.jpgEdie (Ciao Baby) is the next track on the album and the song stems from Ian’s trip to New York when he was recording the Electric album. He was reading stuff about the fashion scene in New York and he became obsessed with the Velvet Underground and the Factory. So, if you didn’t guess it, the song is about Edie Sedgwick who was a tragic figure of the Factory era. The song starts with acoustic guitars and an orchestral background before it the electric guitars and drums kick in. The two elements blend in so flawlessly together as he sings the tragedy of Edie. Sweet Soul Sister starts off with the keyboards before Duffy chimes in on this straight up rock and roll track about Black Panther Angela Davis. Astbury’s vocals on this track are so full of soul (no pun intended) and the track is so bluesy especially in the breakdown when Stewart plays a funky bass line. New York City is a harder faster song with a punk flare and it’s no wonder when you have Iggy Pop singing backing vocals on the track. Automatic Blues is a balls out blues track that reminds me of Aerosmith’s Love In A Elevator.  The start Soldier Blue has that real punk beginning to it that reminds me of something cheerleaders would want to listen to. I don’t actually know if cheerleaders listened to that, but it’s the first impression I got from it and I don’t know why. Wake Up Time For Freedom is another rock classic from The Cult and even though it’s not as amazing as Fire Woman, Astbury’s vocal abilities and Duffy’s guitar playing combined really make the song pop. I think everyone in 1989 was messing with the blues instead of what they were usually putting out as we heard Cinderella do it with Heartbreak Station and so The Cult do it in the beginning of the song Medicine Train. The song opens with a harmonica and some twangy guitar.

Overall the album sounds amazing and that shouldn’t be a surprise since it was produced by Bob Rock. Rock seems to get the best out of every band that he works with especially during this time period. He had just finished working with Motley Crue for Dr. Feelgood and a year after this he was working with Metallica for The Black Album. This was by far my favorite album from this band and it’s been a hard album to beat in my opinion. I’m not saying The Cult hasn’t released anything good because Choice Of Weapon was a return to form in my opinion. I also feel that The Cult doesn’t get enough credit where credit is due. I am giving the album a grade of four stars out of five for 1989’s Sonic Temple.