Posts Tagged ‘Album Of The Week’

Fleshgod-Apocalypse-King-500x500When you think of Death Metal, the places that come to mind are Sweden, Poland, Norway, and Florida (among other places in the US because history has given us bands like Possessed (US), Behemoth (Poland), At The Gates (Sweden), and a young Darkthrone (Norway) before they turned to Black Metal. What if I told you that there was a death metal band from Italy? If you know the band I am referring to then props to you, but if you do not then I am talking about Fleshgod Apocalypse. The band is currently on tour with The Black Dahlia Murder and I figured I would check out one of their albums and I am going with their fourth studio album King. The band at the time was made up of Paolo Rossi (Bass/Clean Vocals), Francesco Paoli  (Drums/Guitars), Cristiano Trionfera (Guitar), Francesco Ferrini (Piano), and Tommaso Riccardi (Vocals/Guitar) who would leave the band in 2017 making this his last album with them. When describing the concept of the record, Tommaso told Decibel Magazine, “The King in this album represents the brave part of ourselves: the one we should cultivate to become strong and rise again from this Dark Age. He’s the only positive figure of this story—a man who has integrity and love for the values and truth that we all should hope for ourselves. All the other characters in the court represent the fears that can lead us to make everything worse. They try to affect the King’s decisions for their own advantage and hope for a loss of power, regardless of the suffering they’re going to create for their own world and people. As we already said when we presented King to our fans, we should all hail the King who lives inside every one of us.”

FLESHGOD-APOCALYPSE---KING-2016-German-Gold-LP-21. Marche Royale– an instrumental that slowly fades in kicks off the album and it kind of sets the tone for what to expect in this album conceptually. 4.5/5

2. In Aeternum– It continues right into this track that kicks off with some epic playing from the band and some insane double bass barrage that will have you headbanging. The title is Latin for Forever and that could be a direct hint to the theme where the King is saying that I am forever meaning his bloodline. 5/5

3. Healing Through War– The all out metal assault continues on this track as the band talks about how a general or war minster looks at war as the answer to solve societies problems. The track also contains a speech from ‘De Bello Gallico’ by Julius Caesar. Musically this is a dynamo track featuring an amazing guitar solo and some awesome drumming from Paoli. 5/5

4. The Fool– I thought that this was an interesting track lyrically because one look at the title and one could say it’s about a jester or fool. It seems to me they are talking about a man who wished for certain things and is now paying for it dearly because he is now the fool. It starts with the jesters song before launching into a symphonic metal assault. 4.5.5

5. Cold As Perfection– I see a lot of influence on this track from what Dimmu Borgir has done in the past and it works beautifully. It seems like the King in this track is trying to persuade a woman who has been down on her luck or as equally cold as him to join him. I could be wrong. This is one of two tracks that features Nate Kantner doing a speaking role. 4.5/5

6. Mitra-Mitra is a Indo-Iranian divinity that has been known as the protector of truth and order. I’m not sure in the context of this hammering track what they are talking about with mentions of the birth of christ, God of scum, and lord of cum. 4/5

7. Paramour (Die Leidenschaft Bringt Leiden)Die Leidenschaft Bringt Leiden literally translates to The passion brings suffering. It features lyrics taken from Trilogie der Leidenschaft’ by Johann Wolfgang Von Goethe and Veronica Bordacchini sings soprano on this uncharacteristic track by a death metal band. 4/5

FLESHGOD-APOCALYPSE-King-LP-2-400x4008. And The Vulture Beholds– After a little break, it’s back to the symphonic operatic death metal that we love. I am trying to figure out the lyrics to the song because it seems that it’s about the devil saying that he wants to rise from hell and take the crown that is rightfully his. The semetrics are there with words like Lion (God), but then again it could be about the heir to the throne wanting to take his rightful place. 4/5

9. Gravity– The track opens and pummels through with an intensity that reminds me of Morbid Angel in a track that could be talking about the effects of greed or drugs. 5/5

10. A Million Deaths– The track keeps the all out assault raging forward with some amazing guitar work in this track about honor through war and showing your devotion to your king. 5/5

11. Syphilis– A seven plus minute epic from the band showcasing their talent musically. The track once again features Veronica Bordacchini in this track that seems to be a call and response track between the King and his Queen where the King wants to protect his bloodline at all costs while she just wants him to protect her now. 5/5

12. King– a four minute piano track closes out the album kind of bringing an end to this epic journey that we were on. 4/5

My Final Thoughts– This is actually the very first record that I have ever heard from these guys and this was quite the journey musically. I love the fact that they are not afraid to keep a sense of nationalism in adding the operatic material to their arsenal. It definitely differentiates them from the rest of the herd and I won’t knock that. My favorite tracks on the album are In Aeternum, Healing Through War, and Syphilis. My least favorite track to be honest is probably Mitra only because of the lyrical content making no sense to me. I am giving the album 4.5 stars out of five for a final grade.

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crow soundtrackI honestly believe that if you were to ask me what were some of the greatest movie soundtracks of the 1990’s, one of them would definitely be the original soundtrack to the 1994 film The Crow. The Crow was a film that starred the late Brandon Lee that was based off of a comic book created by James O’Barr about a man who comes back from the grave thanks to a crow to have vengeance against those who killed him and his fiance. The soundtrack featured some of the best 90’s alternative acts like The Cure, The Jesus and The Mary Chain along with some really awesome up and comers in the Industrial rock scene like Machines Of Loving Grace, My Life With The Thrill Kill Cult, and the Nine Inch Nails. The soundtrack also featured some bands that were either already on the rise like Stone Temple Pilots, Pantera, or about to make a huge splash like Rage Against The Machine . It was definitely the album that made a splash on us because it made the film come to life and helped bring out the raw emotions of the characters. It did well on the charts as it peaked at number one on the Billboard Top 200 Charts and it has been certified platinum three times.

crowost1. Burn by The Cure- This is my favorite song on the whole album that made me fall in love with Simon Gallup and his bass playing abilities as he drives the song forward while Robert Smith does his best invoking the spirit of the Crow in his lyrics. 5/5

2. Golgotha Tenement Blues by Machines Of Loving Grace- Machines bring the industrial rock sexiness with this blues tinged goth classic. Golgotha is the place that Jesus was crucified so the track could be their way of saying that this is where Eric Draven was “crucified” if you want to use those terms. It’s an awesome track. 5/5

3. Big Empty by Stone Temple Pilots- This is a classic STP track, but it’s not the original track intended for the soundtrack. Apparently, they had written one song called Only Dying, but management thought it wasn’t a good idea to release since the death of Brandon Lee had happened. This was definitely a great substitute as this is an STP classic. 5/5

4. Dead Souls by Nine Inch Nails- Trent Reznor went all out with this cover of Joy Division’s Dead Souls which is amazing. This is a very haunting track lyrically and Trent does a great job adding his flair to it while trying to remain true. 5/5

5. Darkness by Rage Against The Machine- A very young Rage brings this track to you with all the in your face, boombastic sound that we are used to while Zach De La Rocha spits that gospel. Zach is talking mostly about how AIDS was an epidemic in Africa and America was barely doing anything about it. 5/5

6. Color Me Once by Violent Femmes- Life can be cruel and tough and that is the message that legendary folk rock act Violent Femmes brings to you on the soundtrack. The track features a very cool bluesy guitar solo that is a true highlight. 4.5/5

7. Ghostrider by The Rollins Band- Henry Rollins reverting back to his punk roots as he covers Suicide’s Ghostrider for the soundtrack. This was always a surprise track for me because the music is just infectious with those big bass riffs. 5/5

BSO_El_Cuervo_(The_Crow)--CD8. Milktoast by Helmet- this is an alternate version of the band’s track Milquetoast where this one was mixed by Butch Vig as it features a distorted outro and some feedback loops that weren’t there before. This track also features some bad ass bass playing by Henry Bogdan. 5/5

9. The Badge by Pantera- Any soundtrack that features the late and great Dimebag Darrell is a winner in my book. This is Pantera’s cover of Poison Idea’s The Badge. It’s heavy and fast and it showcases some of Phil’s other influences. 5/5

10. Slip Slide Melting by For Love Not Lisa- I had never heard of this group, but the song has quite the kick to it cause the track drives. 4.5/5

11. After The Flash by My Life With The Thrill Kill Kult- an industrial banger that is bound to get the inner goth out of you with it’s Ministry/Electric Hellfire Club like industrial dance beats. This track kicks ass and you can’t help but groove to it. 5/5

12. Snakedriver by The Jesus and The Mary Chain- an alternative rock track that is a little different than the rest of the songs on here and it’s a good change as the singer talks about how life can be just as we thought it would be. 4.5/5

13. Time Baby III by Medicine- I think this is a very underappreciated song on the soundtrack because her voice is hypnotic. The band makes a cameo in the film playing the club. 5/5

14. It Can’t Rain All The Time by Jane Siberry- This is the actual version of the track that Eric Draven’s band’s song that appears on the soundtrack. The track is about no matter how tough or bad things get, it can’t be that bad all the time. 5/5

My Final Thoughts– This is definitely one of the greatest soundtracks of it’s time and it will live on in the hearts of all those that loved the film and soundtrack. My favorite tracks on the record are Burn by The Cure and Dead Souls by Nine Inch Nails. My least favorite track is probably Color Me Once by Violent Femmes. I am going to give the album 4.8 stars out of five for a final grade.

morbid-angel-kingdoms-disdainedI think I described this memory before when I last reviewed a Morbid Angel album, but one of my all time favorite concert memories involves an interaction with Steve Tucker. You see, Steve Tucker is back in Morbid Angel and he told me at a concert to get off the bar top where I was sitting because no one sits down at a Morbid Angel show. I may have been disgruntled a little over his choice of words when referring to me, but I can’t blame the guy he didn’t know my name. Anyways, in 2017 Morbid Angel released their ninth studio album in Kingdoms Disdained which was their first album with Steve Tucker (Bass/Vocals) since 2003’s Heretic and it’s the first album to feature Annihilated drummer Scott Fuller with Trey Azagthoth on Guitars. The album has gained some critical acclaim since it’s release as it was voted number 9 on Rolling Stone’s 20 Best Metal Albums of 2017, number 14 on Revolver’s 20 Best Albums of 2017, number 19 on The Quietus’s The Best Metal Albums of 2017, and it took home the award for Extreme Metal Album Of The Year on this blog’s 7TH Annual Monster Entertainment Awards. Steve Tucker talked about the mindset heading into the record saying, “The first thing Trey said to me was, ‘I want to make killer music with killer people.’ To go into any more detail than that, honestly, I don’t even remember, but it was really just about, ‘Hey, man, I want this to be MORBID ANGEL. I don’t want this to be what it was being changed to be.”

morbid angel back cover1. Piles Of Little Arms– The track opens right out of the gate at you going 200 MPH with that fierce double bass playing and the face melting guitar shredding. The track is an attack on religions being forced upon the people. We’ve seen this countless times before in society. 5/5

2. D.E.A.D. [Department of Eradication and Disposal]-An in your track that explores the idea of Machines taking over the world and their being nothing humans can do to stop it. 4.5/5

3. Garden of Disdain– The track talks about God and any other being that is disgusted over what humanity has done so they want to eradicate the Earth of us. The track has your typical death metal sound to it, but when it comes to the chorus, it turns into one heck of a metal track. 5/5

4. The Righteous Voice– Another track that deals with the fact that humans kill one another for the love of their God and how we have been doing it for a very long time now. A fierce track that smashes like a sledgehammer at first before launching into death metal mayhem. 5/5

5. Architect and Iconoclast– This is a track that kind of grooves with some real heavy elements like the double bass and shredding guitars in a track that I think they are talking about Satan. I am not sure because they reference the keeper of the soil which could be Cain from the Cain and Abel story. 4/5

6. Paradigms Warped-Another in your face metal track that is just unrelenting as smashes through your ear drums. The track seems to be told in the view of a God who is sick and tired of humanity and what it has turned in to that he is ok with eliminating it. 4.5/5

19554804_10155438277872748_6482179096562658997_n7. The Pillars Crumbling– It may not seem like a track that is declaring social awareness, but it is in my opinion. They talk about how we are being led by false prophets, we value personal possession more than life, and we have fallen into a society that is fighting addiction. Check out the lyrics for yourselves. 5/5

8. For No Master– This is a track all about being free my which that enslaves us from being totally free in mind which is religion. This is more of a traditional death metal track than previous tracks. 4/5

9. Declaring New Law (Secret Hell)– My version of the album did not contain this track for some reason as you can see above, but here it is. This might be one of my favorite tracks on the album musically as it just kills. It’s a sledgehammer like track that smashes your ear drums like a death machine. This track seems to be about any dictator that takes over, he wants total control or you die. 5/5

10. From the Hand of Kings– A track that breaks down the fact that these leaders your fear are not larger than life, they are just mere men like yourself who have been able to fool you. My favorite lines: “Caesars were men not gods/Idols change as needed through time
Generals are irrelevant without war/Kings mean nothing without fools” 4.5/5

11. The Fall Of Idols– The last track on the album that talks about taking down regimes or empires and how they will be erased from the minds as if they mean nothing. The track does not disappoint as it hammers away. 4.5/5

My Final Thoughts-This is an amazing record from the guys that is just solid from track one all the way to number 11. The band sounded like they had never lost a step even with losing so many members. I just want to send props to Scott Fuller who just killed it on the record. My favorite tracks are Declaring New Law (Secret Hell), The Pillars Crumbling, and Garden Of Disdain. My least favorite track on the album would be Architect and Iconoclast. I am going to give the album 4.6 stars out of five for a final grade.

code orangeEvery once in a while, there is a band that comes out of nowhere and shocks me when they win an award on The Monster Entertainment Awards. Bobaflex did it one year winning the rock album of the year and this year we can add metalcore act Code Orange to that list. The band made up of Eric Balderose (Vocals/Guitar), Reba Myers (Vocals/Guitar), Joe Goldman (Bass), and Jami Morgan (Drums/Vocals) were able to snag the award for Metal Album Of The Year with their major label debut Forever. It’s the band’s third album overall, but their first with Roadrunner Records and it did pretty well for itself. While the album did not crack the Billboard Top 200 Charts, it peaked at 62 on the Top US Album Sales, number four on the US Top Hard Rock Albums, number 7 on the US Top Tastemaker album charts, and number 12 on US Vinyl Albums. It was also voted number one on Revolver Magazines 20 Best Albums Of 2017 and Rolling Stone’s Best Metal Albums of 2017. Loudwire ranked it number three on their 25 Best Metal Albums of 2017 while Exclaim! ranked number three on their Top 10 Metal and Hardcore Albums of 2017. While some may have trashed the album and it’s lyrical content, it did pretty well in other people’s eyes.

code orange back1. Forever- The album’s opener and title track opens up with one heck of a groove that drives forward with Morgan’s screams. The song just screams intensity and it’s a statement that Code Orange is here forever. 5/5

2. Kill The Creator-The track explodes right out of the gate and right where the last track left off with it’s mix of industrial elements and the most bad ass breakdown you’ve ever heard all in two plus minutes. 5/5

3. Real– if you thought the last couple of tracks featured that in your face metalcore madness then brace yourself for this track, but one thing it’s does is mix in some cool electronics. 4.5/5

4. Bleeding In The Blur– This is a rock anthem that mixes in my favorite stoner metal elements that just bodes well with Myers clean vocals. I love Goldman’s bass playing on this track as well, it just shines when he is called upon. 5/5

5. The Mud– This track has that sluggish sledgehammer like riffs that just drives with the mix of electronic elements reminding me a little of a White Zombie track musically anyways. 4/5

6. The New Reality– A track that takes influence from the Nu-Metal genre, but they do it in a way that makes it their own with the hardcore element.  4/5

Code-Orange7. Spy– This is the better of the two tracks that features the Nu-Metal elements because it grooves like the best of them. It reminds me a little of Puya’s track Ride. 4.5/5

8. Ugly– This is a weird track compared to the others, but I love it. it starts with eerie clean channel playing that is just stalking until it hits the chorus and they turn it up. A very cool track and different from the rest. 5/5

9. No One Is Untouchable– A sledgehammer to the face kind of track that is going to get everyone going in a circle pit. It’s hardcore music at it’s finest. 4/5

10. Hurt Goes On– A track that makes you believe that it was totally influenced by the Nine Inch Nails with it’s spoken word vocals and industrial machine like beats. it’s an eerie gothic like track that will haunt you all the way into the next track. 4/5

11. dream2– This is another track that Myers shines on vocally as she hypnotizes you with every word on this eerie track. It just further showcases all of the ingredients the band poured into this record right here. 4.5/5

My Final Thoughts– The first time I saw these guys it was on a WWE event for their NXT Takeover show and I was hooked or at least interested. The album is a melting pot of musical styles and I think that’s a great thing. Bands should be able to explore a little bit as far as musical diversity. I’m all for that and I enjoyed listening to the album. My favorite tracks on the album are Ugly, Bleeding In The Blur, and Kill The Creator. My least favorite tracks are The New Reality and The Mud. I am giving the album 4.5 stars out of five for a final grade.

manson frontMarilyn Manson is an artist that I have respected since day one of listening to him when I first picked up Smells Like Children. I have considered him to be the last living true rock star on this planet of ours because the man took himself out of obscurity and has reinvented himself. Two years ago, Marilyn Manson took the award for Album Of The Year at the fifth annual Monster Entertainment Awards for The Pale Emperor and this year he cleaned house. Not only did Marilyn take home the rock single and video of the year, but he also took him Rock Album Of The Year for his latest offering Heaven Upside Down. While 2017 may have been a turbulent year for the frontman as he faced injury and the fact that he had to fire longtime member Twiggy Ramirez. At least he can be proud of the album that he put out. Besides Manson, the album once again featured Tyler Bates as the instrumentalist and producer, but it also featured Gil Sharone on drums as well. The album did so well that it finished in the top 10 in 15 different countries with six of those being in the top five. Out of ten albums that Manson has put out, this becomes the 9TH album to finish in the top ten as it peaked at number eight on the Billboard Top 200 charts.

manson1. Revelation #12– The first track on the album kicks off with a hellraising riff in this industrial styled song that reminds me of Antichrist/Mechanical Animals days. Manson stated that the track is a reference to the Book of Revelations and The Beatles track Revolution No 9 4.5/5

2. Tattooed In Reverse– It’s a grooving track on the album that has a jazzier feel to it from Manson in what seems like a rebellious tone against the religious groups that have bugged him from day one. 4.5/5

3. We Know Where You F**king Live– an idustrial rock song from beginning to end, it was also the first track that Bates and Manson recorded for the album. The track talks about drone warfare, corruption in gov’t, and invasion of our privacy through global surveillance. 5/5

4. SAY10– the song’s overall sound is very reminiscent of the sound found on Mechanical Animals in what I also think is the modern day retelling of the Cain and Abel story. I love that he named Say10 instead of Satan, a very cool play on the word. 5/5

5. KILL4ME-One of my favorite tracks on the album itself that is catchy as hell and if you ask me it’s a song about devotion. It’s Manson telling his lover, how far are you willing to go for me? 5/5

manson cd6. Saturnalia– The album was a tribute to his parents and I truly believe that this one was a tribute that he wrote to his father. It gets as personal as he wants to, but there are some touching moments in the track. 5/5

7. JE$U$ CRI$I$– I feel like this is a track that Manson wrote about the record industry and how it’s a dog eat dog world so you better be ready to fend off vipers and cocaine.  4/5

8. Blood Honey– is a slower track in tempo, but it speaks volumes if you ask me. Manson is basically saying that he sleeps with tons of girls even though he knows there only in it for the money. 4.5/5

9. Heaven Upside Down– an upbeat tempo drives this rock track that looks like it’s talking about someone in the middle of an apocalypse or it could be about someone suffering from a mental illness. I was having a hard time with this track. 4/5

10. Threats Of Romance– While the lyrics are not the same as The Beautiful People, it has that kind of vibe. I say that in the way that he talks about his taste in women. He knows he can have the hottest girl, but he wants the damaged ones because their better and the pretty ones belong behind glass. 5/5

My Final Thoughts– I love everything Marilyn has done, but sometimes his songwriting can get a little lazy. He writes some brilliant stuff on this album, but some tracks he get lazy and just repeat verses over and over again like my least favorite track Heaven Upside Down or JE$U$ CRI$I$. My favorite tracks on the album are KILL4ME and Saturnalia which are just highlights. I am going to give the album a 4.6 out of five for a final grade.

linkinOne of the saddest moments of 2017 was the fact that we not only lost Chris Cornell, but that a short time later we also lost Chester Bennington of Linkin Park. I can remember as a member of Massasoit Community College’s radio station, we were invited to a record release party for Hybrid Theory and at that time I had no idea how huge this band would become. After six amazing studio albums, I wondered what else could this band possibly do and the album One More Light was the answer as it was voted Album Of The Year by you the fans at this years Monster Entertainment Awards. The final lineup on the record was Chester (Vocals), Mike Shinoda (Vocals, Programming, Keyboards), Brad Delson (Guitars), Phoenix (Bass), Joe Hahn (Programming), and Rob Bourdon (Drums). The album was produced by Brad Delson and Mike Shinoda and it was released on May 19, 2017 via Warner Brothers. The album did so well that peaked at number one in 7 different countries while also peaking in the top 5 in 7 different countries. In the year end album charts it finished at number 90 on the US Billboard top 200 too. The album was recorded very differently than usual as they recorded vocals first and then built the music around it. In an interview with Zane Lowe, Shinoda described the record saying, “In terms of the style of the record, it’s one of the most diverse stylistically, there’s more genres mashed into this album than anything we’ve ever put out. You don’t hear a lot of super heavy guitars. There isn’t any screaming on the record. To some extent it is a very polished record. Stylistically we wanted to blend all of the sound and genres together in a way you can’t tell them apart.”

linkin 21. Nobody Can Save Me– The track that kicks off this musical experiment with some electronic elements mixed in with some guitars and I feel this is a very personal song from Chester. It’s like he’s saying that no matter what you tell him, he doesn’t feel he can be saved. 4/5

2. Good Goodbye– The second track that follows the more hip hop element of the band mixed with the guitars and such. The song features Pusha T and Stormzy providing their own verses along with Shinoda who raps the first verse. I feel like this is a track where the band is saying if you’re not with us then goodbye to you. 5/5

3. Talking To Myself– One of my favorite tracks on the album that has more of a rock/pop sound that Chester is talking about a relationship that just isn’t going anywhere. 5/5

4. Battle Symphony– Another amazing song on the album where Chester is telling you that no matter hate is thrown at him, he will always have his guard up, but he’s also pleading to the fans not to give up on him either. 5/5

5. Invisible– One of the tracks that features singing from Shinoda and I was impressed with it. It’s one of those tracks that if something bad happened to you that you no longer have to worry because he is going to be there for you now because he’s not afraid to speak up anymore. 5/5

linkin 36. Heavy– A track that truly took a lot of criticism upon it’s release for being a slow burn pop song, but it’s honestly a great track featuring Kiiara on vocals as well. It’s a very deep track that kind of pinpoints Chester’s depression because the song is a metaphor for when it rains it pours kind of attitude. 5/5

7. Sorry For Now– This is the other track on the album that features Shinoda singing the vocals in a track that is about someone who knows that he messed up because maybe he wasn’t there for the person and he understands that they are mad, but he saying I will try next time. The track in parts has an almost dubstep feel to it. 4.5/5

8. Halfway Right-The song is kind of retrospective lyrically because it’s Chester looking back at how he may have handled things wrong back in the day, but he finally realizes that now. 5/5

9. One More Light-A very personal and amazing track that deal with the idea of loss and how some take it for granted. Another example of how brilliant Chester really was and this is a track to help you with loss. 5/5

10. Sharp Edges– The last track on the album that has a little bit of a folk feel to it ina  track that is all about how you should listen to your elders because they now a thing or two about life, but sometimes you do need to live a little too. 4/5

My Final Thoughts– Listening to this album, you realize how brilliant this band is and even though Chester is gone, we have a catalog to remember his brilliance. I think the direction change was ballsy, but I think it paid off in the long run because they’ve always done what they’ve wanted to do. I love every track on this album, but my favorite songs are Invisible and Talking To Myself. This time I am not picking a least favorite track so I am going to go ahead and give the album 4.7 stars out of five for a final grade.

Monster Entertainment Awards 7I have hosted this award post for seven years now and I never fails to bring enjoyment to me for a couple of reasons. One of the reasons being that each album that wins gets a review for the album of the week so that will be exciting for the next month. The second reason is that we get to celebrate and vote for what we believe was the best rock album of the previous calendar year and we voted for the best of 2017 and I have the results for you guys. Marilyn Manson seems to always be a big winner as he won album of the year for The Pale Emperor, but this year he takes home the award for Best Rock Album for Heaven Upside Down as well as Rock Single and Rock Video Of The Year as well. There is going to be a lot of arguments over the winner of the album of the year, but Link Park really did put out a solid effort with One More Light. Code Orange came out of nowhere and defeated some giants of metal to take home the Metal Album Of The Year award while Morbid Angel claims their first win in the Extreme Metal Album Of The Year with Kingdoms Disdained. Here are some of the other winners: Rock Single Of The Year: KILL4ME by Marilyn Manson, Rock Video Of The Year: We Know Where You F*cking Live by Marilyn Manson, Metal Single Of The Year: No Lives Matter by Body Count, Metal Video Of The Year: Nuclear Alchemy by Watain.  Check out the rest of the winners below: