Posts Tagged ‘Black Sabbath’

War Of The Covers War PigsI have always felt that Black Sabbath is one of those bands that you can do a million of these War Of The Covers because they are the most influential metal bands of all time. Hence the reason we are doing Black Sabbath once again this week for War Of The Covers. The last war of the covers saw Gotthard take on Stryper to decide who covered Led Zeppelin’s The immigrant Song better (Gotthard won), but this week we have a couple of interesting and unique bands taking on each other. In one corner, we have a former protege of the great Ozzy Osbourne paying tribute to the man who discovered him in New Jersey to a band that carved their own path in a world full of hair and thrash metal whose drummer was also in Ozzy’s solo band at one time. In 1989, funk metal titans Faith No More with their brand new lead singer at the time Mike Patton released their seminal hit The Real Thing which featured the band covering the track. In 2016 I believe, Zakk Wylde, the heavy metal guitar virtuoso started a tribute band to Black Sabbath called Zakk Sabbath. In 2017, they released a live EP called Live In Detroit which features the cover of War Pigs. It’s Zakk Wylde vs Mike Bordin in the battle of the former band mates, but most importantly who covered it better? It’s up to you to ultimately decide and you have until the very next War Of The Covers to decide. Oh by the way, we’ve decided to give you Faith No More’s live version of the track as reference.

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War Of The Covers Silent ScreamOn last week’s War Of The Covers, we had you guys engage in a triple threat match to decide who covered Black Sabbath’s The Mob Rules better and you overwhelmingly decided that Adrenaline Mob had the best version as they had a huge lead and never looked back. For this week’s War Of The Covers, we are looking to one of the most legendary and bad ass thrash metal bands of all time in the mighty Slayer. After releasing one of the most epic extreme metal albums of all time in 1986’s Reign In Blood, Slayer wanted to prove that they could be just as evil while being more melodic with 1988’s South Of Heaven. The featured track that you will all be battling over is the punishing track Silent Scream and we have two intense bands that have covered the track. In 1998, Vader recorded a version of the track for the Slayer tribute album Slatanic Slaughter, Vol. 2. In 1998, Children Of Bodom released their debut album Something Wild, but when the album was reissued, it featured the band’s cover of the track. Now it is up to you guys to decide whose version is better and as usual you have until next week’s War Of The Covers posts to decide.

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War Of The Covers New The Mob RulesLast week, we had one heck of a triple threat match that saw Krokus come from behind to win by two votes in who covered Sweet’s The Ballroom Blitz better. Well now for this week’s War Of The Covers, we have another epic triple threat match that features some real titans of metal covering one of the greatest voices in Metal. In 2010, the world lost one of the greats in Ronnie James Dio in a battle with cancer. Ronnie left behind an epic legacy that included music with Rainbow, solo material, and his time with Black Sabbath which we are looking at today. In 1981, Black Sabbath would release their second album with Dio in The Mob Rules which featured the epic title track which is our focus today. In 2002, heavy metal band Fozzy which features members of Stuck Mojo with wrestler Chris Jericho released a cover of the song on their album Happenstance. In 2011, Iced Earth would release their tenth album Dystopia with Stu Block on vocals that featured a cover of the track. In 2013, Adrenaline Mob, the band that featured John Moyer of Disturbed and Mike Portnoy formerly of Dream Theater would release a covers EP called Covertà that featured a cover of the track as well. Now only one cover of The Mob Rules can reign supreme and you have until the very next War Of The Covers to decide so choose wisely and have fun with it.

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cypress-hill-black-sundayWe are changing things up a bit here on Moshpits and Movies because not only are we a fan of metal and rock and the sub-genres in between, but we are a fan of old school 90’s hip hop and Gangsta Rap. I was watching a documentary on TV about the LA Riots of 1992 (Burn Motherf***er Burn!) and I was reminded of one of the coolest acts out of Southern California in Cypress Hill. Cypress Hill was made up of B-Real, Sen Dog, and DJ Muggs and they were the first Latino American Hip Hop group to have a number one Rap album in history and they also recorded the highest soundscan for a rap group at the time as well. The album Black Sunday (which we are covering this week) debuted at number one on The Billboard Top 200 charts selling 261,000 copies in it’s first week with the help of crossover hit Insane In The Brain (was also a Top 20 track on the Billboard Hot 100) which attracted a rock audience. The album would eventually go triple platinum as it sold about 3.4 million records and I believe that is to date. The same week it debuted at number one, it did the same thing on the Top R&B/Hip Hop charts as well.

Cypress Hill - Black Sunday - Back1.I Wanna Get High– A pretty self explanatory track that samples Taxman by Little Junior Parker and Get Outta My Life Woman by The New Apocalypse. 5/5

2. I Ain’t Goin’ Out Like That– The third single from the album that samples The Wizard by Black Sabbath for the basis of the track while mixing in Galaxy Around Olodumare by Alice Coltrane and Rainmaker by Harry Nilsson. The track always seemed like a statement from the group that they were here to stay and the wannabes will fade away. 5/5

3. Insane In The Brain– The song that launched the band into the mainstream world was actually a diss track aimed at Chubb Rock. DJ Muggs had produced House Of Pain’s Jump Around and he used as the basis of the track with some real obvious changes with tons of samples. 5/5

4. When the Shit Goes Down– A bluesy sample from DJ Muggs drives the song about being ready to go when the sh** goes down. 4/5

5. Lick A ShotEpistrophy by Richard Davis and Sweat Pea by Tommy Roe help drive this Gangsta Rap track. 4/5

6. Cock The Hammer– A killer bass line drives the song with samples from Uri (The Wind) by Flora Purim and Blind Alley by The Emotions. The song is about being ready to go to battle and it touches a little upon how the Latinos in LA have just as many problems as others. 4/5

7. Lock Down– an interlude that samples Is It Because I’m Black by Syl Johnson. 4/5

black-sunday-4dd1b01105a0c8. 3 Lil’ Putos– A bunch of samples drive this bare bones drum driven track about life on the streets. 4/5

9. Legalize It– an intro track that samples Hallelujah, I Love Her So by Gene Chandler with a bunch of different sound clips of people giving the benefits of Marijuana. 4/5

10. Hits From The Bong– One of the most bad ass Cypress Hill songs that heavily samples Son Of A Preacher Man by Dusty Springfield as the basis of the track. I think you can guess what this song is about. 5/5

11. What Go Around Come Around, KidGet Out of My Life Woman by Grassella Oliphant drives the track which is essentially about being careful because what goes around comes around. 4/5

12. A To The K– The track actually samples A to the K by Wild Style in another track about life on the streets. 4/5

13. Hand on the Glock– The track samples Oh, Pretty Woman by Albert King for the basis while every know and then they inject another sample in between like Midnight Theme by Manzel or You’re A Customer by EMPD. 4/5

14. Break ‘Em Off Some-The last track on the album that samples Money In The Pocket by Joe Zawinul as the basis of the track while interjecting samples from Critical Beatdown by Ultramagnetic MC’s and Kool Is Back by Funk, Inc. 4.5/5

My Final Thoughts– One of the best albums from a hip hop/Rap group like Cypress Hill that at a point in time made it easy to like rap music because it was fresh, new, and it sounded dangerous. That is why I am giving Black Sunday which had an amazing cover to boot, 4.3 stars out of five for a final grade.

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war of the covers sabbath bloody sabbathLast week we had Symphonic Death Metal legends Dimmu Borgir battle it out with Prog metal giants Dream Theater to see who covered Deep Purple’s classic 1984 title track Perfect Strangers. You voted and Dimmu Borgir were the winners of that battle and now we have another one for all of you. This week instead of just two bands battling for supremacy, we have a triple threat match for all of you out there with some serious contenders. Black Sabbath has often been credited as the godfathers of Heavy Metal and there have been a lot of metal bands since them that have covered their music. So, this week, we are going to decide who covered the title track to their seminal fifth album Sabbath Bloody Sabbath. In one corner, we have the most underrated member of Thrash Metal’s Big Four in New York Thrash legends Anthrax who covered the track for their 1987 EP I’m The Man. In another corner, we have American metal band Godspeed who teamed up with legendary NWOBHM vocalist Bruce Dickinson of Iron Maiden for the Black Sabbath tribute album Nativity In Black. Lastly in 2006, Finnish Metal band Tarot covered the track for their fifth album For The Glory Of Nothing.

1600Everyone’s favorite McDonalds infused Black Sabbath parody band Mac Sabbath is back in the limelight and for very good reason. The band is unleashing a music video for their Paranoid parody track Pair-a-Buns and we have it here as this weeks Music Video Of The Week. The video is cool as flashes back and forth from live action to claymation, but the claymation is what is the cool part of the video. In the claymation, Ronald Osbourne battles all of the fast food chain mascots like KFC’s Colonel Sanders, Hardees star, Jack In The Box, The Burger King, and even the Wendy’s girl in the claymation that was done by Brad Uyeda while the video was directed by Jesus Rivera. While the band may be a joke to some out there in the metal world, there is no denying how clever the band is. People have a tendency to forget that GWAR started out as a joke band and they are still around to this day. Nonetheless, check out the cool video to find out who wins the war. You can also pick up the band’s flexi-disc release of Pair-a-Buns that is featured inside a coloring book here.

beastie-boysThere was some terrible news on the tele the other day about some people desecrating the Adam Yauch Park in Brooklyn, New York. While I am severely disappointed in humanity over that, I thought we would celebrate his life and work on the blog by covering the band’s debut album License To Ill for our album of the week this week. The Beasties Boys were made up of Adam “MCA” Yauch, Mike “Mike D” Diamond, and Adam “Ad-Rock” Horovitz. The group would release License To Ill on November 15, 1986 and the album would literally skyrocket to the top of the charts as it peaked at Number One on The Billboard Charts and it was the first rap LP to top the charts. It’s also one of Columbia’s fastest selling debut records in history and it eventually sold over ten million records worldwide. After the death of Adam Yauch, the album re-entered the Billboard charts at number 18 and it reached number one on Billboard’s Catalog Albums chart.

1. Rhymin & Stealin– The track opens with the sample of Led Zeppelin’s When The Levee Breaks before the sample of Black Sabbath’s Sweet Leaf drives the song. 5/5

beastie-boys-licensed-to-ill-insert2. The New Style– The track features a cool guitar/drum sample and features one of the most famous lines in “Ummm Dropppp!”4.5/5

3. She’s Crafty– A very educational track on the kind of girls the group likes which sees the band sample The Ocean by Led Zeppelin. 5/5

4. Posse in Effect– a track that showcases the groups talents as MC’s in the business. They sample Catch a Groove by Juice, Pee-Wee’s Dance by Joeski Love, and Change the Beat (Female Version) by Beside. 4.5/5

5. Slow Ride– The track starts off with the band sampling Low Rider by War before it just goes with a hi hat beat during the verses. 4/5

6. Girls-a simple and great track that features a keyboard beat and they sing about Girls. 5/5

7. Fight For Your Right– an amazing track that was written as a parody to all the party songs on the scene like I Wanna Rock or even Smokin In The Boys Room. This is definitely one of my favorite tracks on the record. 5/5

_18. No Sleep Till Brooklyn– A track that was a play on Motorhead’s No Sleep Till Hammersmith and features Kerry King of Slayer playing the guitar parts and solo. 5/5

9. Paul Revere– a track that was inspired by Run from Run-DMC where the music sounds like it’s being played in reverse. 4.5/5

10. Hold It Now, Hit It– The song contains a ton of samples in, but there have been lines from the track that have been sampled by Eric B & Rakim and even Eazy-E. 4/5

11. Brass Monkey– a track that is about a certain brand of alcohol that the group raps about in the track that samples Bring It Here by Wild Sugar. 5/5

12. Slow and Low– a track that samples 8th Wonder by the Sugarhill Gang and Flick Of The Switch by AC/DC. 4.5/5

13. Time To Get Ill– The last track on the album that samples a laundry list of groups ranging from Creedence Clearwater Revival to Steve Miller Band and even Kool & The Gang. 4.5/5

My Final Thoughts– This is definitely one of my all time favorite records, but the group would take the ultimate risk with their next album. They wanted to get away from what they called the frat party scene and they wanted to be serious rappers. They wanted to be respected for their craft and they would ultimately leave Def Jam after this record. Nevertheless this is a classic and that is why I am giving the album 4.8 stars out of five for a final grade.

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