Posts Tagged ‘David Silveria’

55711In 2007, KoЯn had released their Untitled 8TH album which was the first without longtime drummer David Silveria and it faced a lot of backlash at the time. So, the band eventually decided that they were going to take a year off to refocus their minds and work on solo projects to help replenish their minds. The band eventually decided that for their ninth studio album that they wanted to go back to their roots of the first two records so they swore off pro-tools & editing and they hired the man who originally produced their first two records in Nu-Metal’s favorite producer Ross Robinson for what would eventually be titled KoЯn III: Remember Who You Are. The album once again featured Jonathan Davis (Vocals, Bagpipes), James “Munky” Shaffer (Guitars), Fieldy (Bass), and for the first time ever on record and as an official member of the band Ray Luzier (Drums). The album was released on July 13, 2010 and it was a huge success for the band as it peaked at number two on the Billboard Top 200 Charts, but the album scored number one status for US Rock Albums, US Alternative Albums, and US Hard Rock Albums as well as finishing in the top five in Canada, Austria, Germany, and New Zealand.

51-tkiy6h8L._SY400_1. Uber-time– An intro track that features some audio that leads right into the next track 4/5

2. Oildale (Leave Me Alone)– A punishing track that just absolutely rips from the get go that has that old school feel to it. I thin the track has something more to do with his dislike for religion and God. 5/5

3. Pop A Pill– A very Life Is Peachy like track that is all about drug addiction if you couldn’t tell from the title. 5/5

4. Fear Is A Place To Live– One of my favorite tracks on the album that is all about those people claim to be your friend or family, but they wear a mask in front of you and a different one when you’re not around. 5/5

5. Move On– a little bit of a Follow The Leader/Life Is Peachy feel to the track that is all about no matter what you do you can’t please everyone so you have to just move on. 4.5/5

6. Lead The Parade a raw in your face, take no prisoners track that is all about how depression can make us think crazy things that can drive us to insanity. 4.5/5

imgbin-korn-iii-remember-who-you-are-music-issues-album-korn-LtPm1jFajBMRxc9NsHi4zKLnf7. Let The Guilt Go– Another track on the album that is underrated because of it’s intensity about someone who just keeps messing up because they can’t let the guilt of something go. By the way, this track was nominated for Best Metal Performance at the Grammy Awards, but they lost to Iron Maiden. 5/5

8. The Past– a very dark and melodic creepy intro starts the track before Luzier brings the thunder that helps kick off the track that is all about how no matter how badly we want to forget our past, it’s always there to remind us. 4.5/5

9. Never Around-This track reminds of something that would have been released on Take A Look In The Mirror with it’s big bass riff that matches the big bombastic guitar riffs and melodic verses. The track is about a relationship that has gone bad. 4.5/5

10. Are You Ready to Live?-This has to a be a very personal track for Jonathan Davis because at the crop circle performance you could tell it took a lot out of him especially with the mic drop and the “I fucking hate that song”. 4.5/5

11. Holding All These Lies– a very Raw and self titled debut feel to the track that according to something I saw Ross made Jonathan’s wife come into the studio to have him sing it in front of her. I don’t know if that is true or not, but Jonathan did say the album was torture to record. 4.5/5

My Final Thoughts– This was certainly a great look back at the raw intensity that was KoЯn back in the day. This was definitely my favorite of the post David Silveria era KoЯn albums with The Serenity Of Suffering being my other favorite. It’s a complete album with very little filler if any at all which is why I am giving it 4.6 stars out of five for a final grade.

IssuescoverThere have been several weeks on here where we missed out on giving you an album of the week. So to make all of that up to you guys, we are going to be giving you two for the price of one and we are starting that this week. For the first album of the week, I was inspired by a recent live show that I attended that featured Nu-Metal giants KoЯn. So, I have decided that for album one, I am going to review KoЯn’s fourth album Issues. Issues is an interesting album because it’s a much darker album than what we were used to from the band that once again featured Jonathan Davis (Vocals), Brian “Head” Welch (Guitar), James “Munky” Shaffer (Guitar), Fieldy (Bass), and David Silveria (Drums). The album was also the first to be produced by Brendan O’Brien (Stone Temple Pilots, Pearl Jam) and it was the second album overall from the band to peak at number one on The Billboard Top 200 charts as it has sold over 13 million worldwide to date. The album also went number one in Australia and number two in Canada and New Zealand.The other interesting thing about the album is that the band let the fans design the album cover for it. The album cover that won was designed by Alfredo Carlos, but the other three versions were made available.

korn_-_issues_-_back1. Dead– A intro track featuring the bagpipes and a simple drum beat. 4/5

2. Falling Away From Me– A very dark and melodic track from Korn that addresses the topic of domestic abuse. Jonathan Davis has said, “The song is about domestic abuse and that there are ways to get help whether it’s telling someone or calling a help line, there are ways to get out of those situations. No one has to be treated like that.” 5/5

3. Trash– The track starts off heavy before it calms down with an eerie riff before the band explodes into an all out sonic assault for the chorus. The lyrics talk about a person who is in a relationship that he doesn’t value because he treats the partner like trash. 5/5

4. 4 U– Another intro track that leads into the next. 4/5

5. Beg for Me-A cadence like drum riff opens the track before Fieldy’s bass playing followed by an explosion of sound that totally engulfs space. The track is Jonathan’s song for the crowd. 5/5

6. Make Me Bad– One of my favorite tracks on the album that deals with Jonathan being sick and tired of alcohol and drug abuse.

7. It’s Gonna Go Away– Another track that is an intro or segway to the next track on the album.

Korn Issues8. Wake Up– An all out blitz right from the start that has Jon screaming “Wake The F**k Up” in the beginning. A track that reminds me of something that would have been on the first two albums. The track is commentary on internal issues within the band. 4.5/5

9. Am I Going Crazy– Another intro or segway track 4/5

10. Hey Daddy-A kind of funky track during the track before the choruses which is an all out sonic assault on your hearing. Lyrically a very dark track from Jonathan. 4/5

11. Somebody Someone– Another of my favorites from the album that has a killer chorus section that is just heavy and reminds me of a later track they would record called Right Now. 5/5

12. No Way– A very heavy and melodic track at times that deals with feelings of bitterness towards maybe how your life has turned out. 4.5/5

13. Let’s Get This Party Started– A very dark track whose riff is very eerie and makes me think that it could be in a horror movie. A cool bass riff from Fieldy drives the track forward. It could be interpreted as someone trying to get over their issues, but they want to do it on their own terms. 4/5

14. Wish You Could Be Me– Another intro track on the record that has more of a hip hop feel to it. 4/5

kornbandpic15. Counting– A cool bass riff from Fieldy starts off the track before the guitars come win with their groove laced chugging riffs. 4/5

16. Dirty– A very toned down track for the most part until the chorus comes and then it’s lead by Jonathan’s amazing vocals. 4/5

My Final Thoughts– Calling it a dark record is kind of a ridiculous set of words to use, but it was true considering the vibe from the previous record to this one. It’s definitely a heavy record compared to the others and definitely a top 5 album. I remember the day I picked this up from my local record store. I had to walk three or four miles just to get it, but I did and I never regretted it. I am giving the record 4.5 stars out of five for a final grade.

download (3)This is a new segment on here that I am going to try and do even though it takes me a while to read books, but I have read some already and so here is the Heavy Metal Book Report. Motley Crue started the trend of dishing out all the dirty secrets in autobiographies and that is what catches our interests. For Reginald Arvizu a.k.a. Fieldy of Nu-Metal pioneers Korn, it was natural to come out with a book telling everything about his life, but it was definitely one that was unexpected or at least not the first one to respond in the band with a book. He teamed up with Laura Morton to write the book Got The Life: My Journey of Addiction, Faith, Recovery, and Korn. which was released back in February of 2010 right on the heels of (at the time) former member Brian “Head” Welch’s tell all book. Fieldy was laying it all on the table so that we could better understand the man with that iconic bass slap who was heavily involved in the debauchery of heavy metal and how he overcame it to become the better man he is today no holds barred style. It’s a journey that will intrigue every Korn fan young and old. The book kicks off right away with a story that will definitely catch your attention as he thinks back to a time when he and his wife Dena got into a major fight that was fueled by jealousy and a day of drinking. It’s only the prologue, but it definitely catches your attention enough to continue to read.

kornThe style of the book is exactly as the title would describe it to be, it is a journey that you go on with Fieldy as he starts right from his childhood all the way to his life in Korn. You find out right from the beginning that it had to be destiny that brought these guys together considering Fieldy’s mom babysat Jonathan Davis whose dad was in a band with Fieldy’s dad. He talks about the early days of not having money as he struggled to stay a float until they met the man that would complete Korn in none other than Jonathan Davis who was a member of a band called Sexart at the time. It didn’t take much for him to agree and Korn was officially born. One of my other favorite stories is hearing how somethings were done. They recorded their first album at the Indigo Ranch with Ross Robinson and it was time for them to record the song Shoots & Ladders. In order for Jonathan to record his part with the bagpipes, he had to record them on top of the mountain. Of course as the book goes on, you hear all these stories of how difficult of a person he was to deal with when he was on drugs or alcohol. He openly admits in the book to firing people for not bringing him beer or firing bus drivers for driving over too many bumps. It gets so bad that he even mentions that the guys in the band were thinking about throwing him out of the band. Things do get better and Fieldy’s appoach to finding God was a lot different to Head’s because he wont force anyone to feel the same as him. He feels that you need to find your own way to becoming a better you.

The book is a decent read and I had a lot of fun reading the book and learning so much about my favorite band in the whole world in Korn. His writing ability is om target as he is able to shock you with stuff that has happened to him and of course indulging in the type of information about tours that we all want to know about. It’s not all fun and games and he certainly makes you know that just because you are signed, doesn’t mean that everything is going to peachy. I find that sometimes, these guys dive way too much into their drug problems and that it becomes the main topic of the book, but by the title you can see why he indulges in it. I would definitely recommend the book to any fan of Korn or fans of rock autobiographies. I am going to give the book a 3.8 stars out of five for a final grade.

sepulturaSepultura which translated from Portuguese means Grave, a Brazilian heavy metal band that was at one time called the Brazilian Slayer. The band at the time of the recording of Roots was made up of Max Cavalera (Guitars/Lead Vocals), his brother Igor Cavalera (Drums), Andreas Kisser (Guitars), and Paulo Jr. (Bass). Roots was the one of the first records I had ever listened to from the band and I love how they mixed those cool tribal sounds with the heavy metal, so I was hooked enough to want to research the group and all of their albums. For the next four weeks, I am going to try and review an album from each of the four members of Killer Be Killed with the Killer Be Killed album being reviewed in the fifth week. So, that is why I chose Roots from Sepultura considering it is one of my favorite albums from the band which featured some cool guest appearances you’ll read about later. The album was produced by Ross Robinson, a guy who was just coming off some impressive work with Korn as well as some other groups, so you’ll notice that the sound of the record is almost reminiscent of Korn’s first record. Here is what Max Cavalera told Kerrang Magazine in 2008 about the album, “Roots came from a blurry dream I had about going to the rainforest. Wine may have been involved. In the end, when we actually went into the forest to record, it was unbelievable. The whole album was a huge personal journey for me, and as a Brazilian, it felt as an incredible achievement. Everyone was inspired and Iggor was at the top of his game. The percussion was crazy and we worked with so many great musicians, in the end coming out with a 15-minutes drum jam that someone likened to a crazy Brazilian Pink Floyd. When we took the album to Roadrunner they loved it except for the title. They thought it would sound like a Bob Marley tribute album. We explained it to them, and thankfully they got it.

roots 2When you hear the sounds of the forest and crickets just before it explodes with the drums, you know you’re about to get your teeth kicked in with the opening track Roots Bloody Roots. This was always one heck of a way to open up an album and it’s definitely one of my favorite tracks from the band. Attitude is the next track on the record and it opens with Max using a Berimbau instrument to help set up the song whose snare hit explodes like a bomb when the track kicks off. The track’s lyrics were actually written by Max’s stepson Dana Wells who would later die right after the album was released. It was the catalyst that would eventually see Max leave the band. Cut-Throat is one of the tunes on here that has a heavy Nu-metal influence in the playing while being one of those songs that has a real activist meaning to it. Ratamahatta is another track that starts with a real tribal feel to it before it kicks into overdrive with guest appearances from Carlinhos Brown on vocals while David Silveria of Korn plays percussion on the track. Jasco and Itsári (which features the Xavante tribe) are instrumental tracks on the record. Lookaway is one of the coolest tracks on the record that features DJ Lethal with Jonathan Davis of Korn and Mike Patton of Faith No More providing vocals. Breed Apart is another track on the record with the tribal beats while having that Korn Self Titled playing on the track at times.

rootsStraighthate proves that I am sucker for killer bass lines to go along with the sonic assault of Andreas Kisser that just smashes your head in with the trash elements in the track. Dictatorshit saw the band flexing their hardcore punk roots in a song about the coup in Brazil in 1964. Spit sees Sepultura combine so many elements of metal in one track that it’s just insanely heavy that you can see where bands like Slipknot got their inspiration from while the bass heavy Dusted saw the band experimenting with sounds while keeping it heavy as hell. Born Stubborn is truly an heavy ass anthem telling the system to go F@#$ itself. Ambush was a song that was inspired by the book  Fronteiras De Sangue, a book about Chico Mendes who was a man that died protecting the rainforest. Endangered Species is the last track of the album I am reviewing and it starts off very slow before it starts to pick up the pace and it’s one of the few songs to feature a guitar solo on the record. I have always loved this record cause it was the first one that turned me onto the band. Is it their best album? Well, that is debatable depending on what your tastes in metal are. I am going to give the album four stars out of five for a final grade.

kornI will never forget the first time I was introduced to KoЯn, I wasn’t a fan of metal or rock at the time because I had resented what the rock scene had become when Nirvana hit the airwaves. My best friend Tim (who passed away in 2001) told me that I had to listen to these guys and he let me borrow the self titled release from KoЯn. I will never forget the moment Blind came on over the speaker, it changed my life forever. The album cover was even a little freaky to look at with the girl on the swingset in the playground with the shadow of a man holding horseshoes. The band made up of Jonathan Davis (Vocals), Fieldy (Bass), David Silveria (Drums), Brian “Head” Welch (Guitars), and James “Munky” Shaffer (Guitars) along with producer Ross Robinson were about to change the hard rock world with the new genre known as Nu-Metal. The album was released on October 11, 1994 which means it’s celebrating it’s 20TH Anniversary this year. The album went Gold on January 1996 and it peaked at number 72 on the Billboard Top 200 charts. To date, the album has sold over 4.2 million copies making it the album that popularized the Nu Metal genre as I said before.

korn 2KoЯn opens up with the iconic Blind which features the dueling guitars in the beginning before Jon screams “Are You Ready?” and the song explodes into overdrive. Jonathan described the track as, “It’s just this monster riff, and lyrically it’s about me feeling that I’m blind to people taking advantage of me, blind to my depression, just blind to everything.” Ball Tongue is the next song on the record which reportedly is about a guy the band used to work with at a t-shirt store that either had a wart on his tongue or a tongue piercing that was a complete jerk to the band. Jon told Metal Hammer that he, “didn’t sing a goddamn word in that song. I couldn’t describe what I wanted to do, so that’s how it came out. It’s a really heavy sound.” Need To is the next track on the record and the song is about being in relationships with someone , but being too afraid to get serious for fear of not having the love in return. Clown in the next song on the record that starts with the thunderous riffs and wailing guitar riff before Jon describes a situation where a skinhead told the band to go back to Bakersfield and then he tried to hit the band. Divine starts off with the thunderous bass riffs, but it’s later in the track when Jonathan goes nuts saying  “Fu** You, I’m Fed Up With You” that is my favorite part of the song. The track itself is just filled with so much fury that it’s incredible. Faget is the next track on the record and a very iconic one because it’s one of those tracks that Jonathan pours himself into his writing when he talks about his time at Highland High School where he was picked on by everyone.

korn 3Shoots and Ladders is another iconic track that starts with Jonathan Davis playing the bagpipes and Jon will recite nursery rhymes to show you all how evil they really are. Predictable is a real heavy track that makes you realize what a seven string guitar can do over a six string. It just gives you that extra hard and deep edge. Fake continues the groove heavy riffs, but during the choruses the heaviness subsides while the riff gets eerie and you can hear Fieldy’s patent slap bass style during it as well. Lies follows in the same suit with it’s raw groove heavy riffs and Jonathan’s iconic vocal style while Helmet In The Bush is a track about Jonathan’s drug problem that was getting out of control. Daddy is a very touchy track because it’s about Jonathan singing about being abused as a child and how he tried to go to his parents, but they didn’t believe him. The band only performed the song once and they stopped because Jonathan couldn’t handle it. If you listen closely in the track he’s actually crying, it definitely changed the way songs were written and it was a voice for those who were affected.This is definitely the album that saved me from only listening to hip hop and it brought me back to metal all thanks to my best friend. KoЯn definitely holds a special place in my heart, but for a final grade I am going to give the album 4.2 stars out of five.

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courtesy of wikipedia

For this week’s album of the week I chose one of my all time favorite KoЯn records that the band released. It’s their fifth studio album and was follow up to 1999’s Issue which at the time was the darkest KoЯn album to date. It was also the most expensive album KoЯn had released at the time ranging in the 4 million range. Michael Beinhorn at the time was known for producing Hole’s Celebrity Skin and Marilyn Manson’s Mechanical Animals. The album debuted at number two on the Billboard Top 200 selling 434,000 copies in it’s first week and as of January 2013, it has sold 1,612,602 copies in the US and over 4 million worldwide. Things weren’t always easy for the group though. They are reports that tensions were high amongst the five of them causing them to write music in Arizona to see if the change of scenery would help. During the tour that followed the release, the band even contemplated firing Fieldy due to his drug habit, but obviously they never did. Let’s check out the album.

a2The first track on the album which was also the first single, Here To Stay, starts off like a guitar making noise until it’s very brief pause. Then out of nowhere it explodes and the music hits you like a ten ton hammer. My favorite thing about the song is the groove because man does it ever groove and Jonathan’s voice matches over it perfectly. Make Believe is the next track on the record and KoЯn was always known for making unique sounds come from their guitars. Jonathan comes in after the eerie guitar riffs and he sort of raps and sings over the riffs before they explode into the chorus. Blame starts off much like Here To Stay before exploding into the track. The best is the riffs played during the verses because it’s almost like the calm before the storm as it’s real mellow before the rage shines through in the chorus. Hollow Life is a very dark track on the album in that it starts off slow and ominous. The chorus gets a little scarier as Jonathan screams about living a hollow life. Bottled Up is one of the heaviest and grooviest songs on the record about keeping hatred all bottled up. It’s also a song that I took to heart because I at one time had insecure feelings about my appearance and I always felt Jonathan spoke to me. 

File:Korn thoughtless.jpgThoughtless is the next track and the lyrical themes to the song are dark. It was the second single released off the album and it was about an experience where Jonathan Davis was bullied in school and he dreams of seeking revenge on those who bullied him. Hating is one of my favorite tracks on the whole album and it starts with this cool guitar riff as the drums start to kick in, you get this eerie feel to it and then Jon takes over. It’s another track on the record that deals with the ever growing theme of hate that Korn has explored. One of my favorite parts is the pre-chorus where David and Fieldy are doing their best with the groove. One More Time is the next track on the record and it has a Nightmare On Elm Street like groove to it, at least that’s what I hear. The harmonizing on the track is cool as you can hear they tracked Jonathan’s vocals a bunch of times to get the effect. Alone I Break was the third and final single off the album. They traded in the distortion for clean guitars and some funky bass lines. I saw the song described as a haunting power ballad which is such a true description. Apparently, Head and Munky used custom built 14 string guitars for the track to create that wide chorus effect.

a3Embrace is another track that is just pure metal with the screaming vocals and big power chords. It sort of combines elements of early Korn which included that hip hop influence with metal grooves. Beat It Upright has a major bass groove that feels like their just bouncing the sounds off the ground. It’s all about the bass in this track that is just hoppin and it you’ll be bobbing your head to it. No One’s There is another one of my favorite tracks on the record that is just dark to the core. It’s another one of those tracks that I felt really spoke to me on all levels of my life. I really love this album and I would say that it’s one of my top three KoЯn releases. I told my brother that KoЯn to me is what Motley Crue was to him when he was growing up in the 80’s. It’s funny, before this album was released I had never had the chance of seeing KoЯn live and when I heard they were playing I made my brother go to Connecticut with me to see them. It was the greatest experience of my life. I am giving the album 4.5 stars out of five.