A couple of weeks ago, we had our very first War Of The Covers which pinned UK Metal band Malefice against French groove/death metal band Trepalium as we decided who covered Pantera’s I’m Broken better. Unfortunately for Malefice, everyone overwhelmingly thought that Trepalium’s version of the track was better. For this week’s War Of The Covers, we are exploring a cover from a band that is in the news right now for all the wrong reasons after the way they opened the year up. Apparently, Metallica is in the news right now because they are being accused of stealing a riff from an 80’s death metal band named Incubus on one of the tracks on their latest effort Hardwired… To Self Destruct. Whether that fact is true or not, there is no denying that Metallica is one of the greatest metal bands of all time (I said one of, not the). They have written some iconic material in albums like Kill Em All, Ride The Lightning, Master Of Puppets, and …And Justice For All. As a fan of music and metal, there is no denying that fact and the fact that they have influenced countless metal bands over the years. That is why I chose them because some amazing bands have covered Metallica over the years and I think we have a good one here. In 2005, if you had the Japanese version of Gojira’s amazing album From Mars To Sirius, then you noticed that the band covered the Ride The Lightning track Escape. Fast forward to 2009, hardcore metal giants Hatebreed released an all covers album entitled For The Lions which featured them covering the Lightning gem Escape as well. Now it is up to you guys to decide who covered it better? You have until the next post to decide.
Posts Tagged ‘Kill ‘Em All’
Tags: And Justice For All, Cover, Cover Battle, Cover Song, Covers, Escape, For The Lions, From Mars To Sirius, Gojira, Hardwired... To Self Destruct, Hatebreed, Kill 'Em All, Malefice, Master Of Puppets, Metal, Metalllica, Pantera, Ride The Lightning, Trepalium, War Of The Covers
Tags: Cliff Burton, Concert, Creeping Death, For Whom The Bell Tolls, Fuel, Garage Inc., James Hetfield, Kill 'Em All, King Nothing, Kirk Hammett, Lars Ulrich, Live Concert Review, Live Review, Master Of Puppets, Metal, Metallica, Robert Trujillo, San Francisco, Superbowl 50, The Memory Remains, Thrash Metal, Too Heavy For Halftime, Whiskey In The Jar
As soon as people found out that Superbowl 50 was going to be played at AT&T Park in San Francisco, they immediately petitioned to have Metallica play the halftime show. The petition garnered a lot of signatures, but that didn’t matter to the NFL who deemed Metallica Too Heavy For Halftime which was also what Metallica dubbed their concert the night before the Superbowl at AT&T Park. As James Hetfield, lead singer of the greatest metal band ever told fans that they basically got the better deal because instead of a short three song set, they received a whole entire concert complete with a new stage setup as well. By the time the band ht the stage Saturday night, the weather wasn’t too bad as it was a nice 61 degrees out and the crowd was ready for one hell of a show. James, Lars Ulrich, Kirk Hammett, and Robert Trujillo all looked in shape and ready to roll as they broadcasted the show online as well for fans who couldn’t make it.
Metallica didn’t waste anytime when they hit the stage playing the classic Creeping Death which got the crowd’s blood pumping. They followed it up with For Whom The Bell Tolls which kept the momentum going throughout the show. The show was a mix of old and relatively old as they played everything from Kill Em All all the way up to Garage Inc. While the band sounded amazing there were a lot of times where Kirk would miss a note on a couple of songs, but he would quickly catch himself. The band still does their guitar solo, bass solo parts in between songs which seems to be an art that is kind of missing in metal concerts. Metallica kept the crowd going and they never faltered as they kept up with everything Metallica threw at them creating an amazing atmosphere. Some of the highlights for me during the show was surprisingly hearing some of the material from Load and Reload like Fuel, King Nothing, and The Memory Remains mixed in with the old material. As you get older, you gain an appreciation for the material.
Metallica was very appreciative of their roots in San Francisco and it showed all night as they reminisced with the crowd. One of the cool facts that you found out during the show was that Cliff Burton loved the Thin Lizzy track Whiskey In The Jar which Metallica played during the encore as a tribute to him. They closed out the encore set with Nothing Else Matters and Enter Sandman with the same energy as they opened the show with. We also heard from the mouth of Lars during the end of the show that Metallica is going to release new material, but obviously didn’t say when it would happen. Metallica is one of those bands that if you’ve never seen live then you are truly missing out. This was an amazing show put on by one of the best in the business. Enjoy some pictures from the show and check out the complete set list below:
Tags: Am I Evil, Charli XCX, Chicago, Concert Review, Disposable Heroes, Django Django, Enter Sandman, For Whom The Bell Tolls, G-Eazy, Gary Clark Jr., Grant Park, Kill 'Em All, King Nothing, Live Review, Lollapalooza 2015, Metal, Metallica, Nothing Else Matters, Paul McCartney, The Black Album, The Unforgiven, Thrash Metal, Welcome Home (Sanitarium), Whiskey In The Jar
Some of you out there may think that this is a typo or just hard to imagine, but it’s not a typo. Lollapalooza once again resonated from Grant Park in Chicago, IL for three days of music and art. Day one featured some great artists like Gary Clark Jr. and Sir Paul McCartney, but it was day two that I was looking forward to when the mighty Metallica hit the stage to close out the Samsung Galaxy Stage. The trash metal titans hit the stage in Chicago to further show how diversified the festival can really be on a day where it featured such artists as G-Eazy, Charli XCX, Django Django, and many more. Fans of the group were also in for a very rare treat as it was only the eighth or so gig that Metallica has done in 2015 so for a metal fan like me I was chomping at the bit to see the reigning kings of metal. It was also the first time since 2009 that the band played in Chicago and the first time they played Lollapalooza since 1996. After the bands usual intro of Ennio Morricone’s Ecsasty Of Gold, James said that he had an announcement to make and it as, “Give Me Fuel, Give Me Fire…” and the band kicked right into Fuel from the Reload record.
The band was fuel of energy as they delivered their special brand of high octane metal that the crowd was craving to end their day on a high note. At one point in the show, James had asked the crowd how many of them had attended a Metallica show with a lot of cheers and hands flying up in the air. He then told the ones that had ever been to a Metallica show to just follow what the vets did. The band blazed through all of their years as they played songs like For Whom The Bell Tolls, King Nothing, Disposable Heroes, and an amazing rendition of Welcome Home (Sanitarium). I have to admit though that I was a little jealous of the people who got to stand behind the band on the stage during their set as they had the best seat in the house. One of my favorite performances of the night came when the band performed The Unforgiven as James played the acoustic guitar as well as his electric throughout the whole song giving it that dynamic that we all love from the band.
Every show honestly has their funny moments and the one for me came as the band was about to play their classic from Kill ‘Em All in Seek & Destroy. Apparently Lars wasn’t getting the notes right at first and James laughingly joked that the band had a new drummer and they tried it again successfully the second time around. After nearly one hour and forty minutes on stage, I honestly thought that the band was done, but they came back out for an encore and the band certainly didn’t look that tired to be honest. The band opened their encore with Whiskey In The Jar and continued with Am I Evil after that before closing with two classics from the Black Album in Nothing Else Matters and Enter Sandman. It was the perfect ending to a night two that was amazing and this performance was further proof that Metallica are still on top of their game despite what anybody might say. They are the kings of metal for a reason and they are non like them.
Tags: (Anesthesia) - Pulling Teeth, Cliff Burton, Dave Mustaine, Hit The Lights, Iron Maiden, James Hetfield, Joe Satriani, Jump In The Fire, Kill 'Em All, Killers, Kirk Hammett, Kurt Cobain, Lars Ulrich, Leather Charm, Lynyrd Skynyrd, Master Of Puppets, Metal, Metal Militia, Metal Up Your Ass, Metallica, Motorbreath, music, No Remorse, Phantom Lord, Princess Of The Night, Ride The Lightning, Ron McGovney, Run To The Hills, Saxon, Seek And Destroy, Sweet Home Alabama, Thrash Metal
I decided to do this album for a reason besides the fact that it’s one of the most iconic releases Metallica has and besides the fact that it was the first. On July 25, 2013, Kill Em All by Metallica turns 30 years old and I am here to celebrate. It’s probably one of the most contrversial and legendary of the albums for the stories behind it. Metallica’s original line up consisted of James Hetfield (Guitars/Vocals), Lars Ulrich (Drums), Dave Mustaine (Guitars), and Ron McGovney (Bass). Ron McGovney would end up leaving Metallica due to tensions between him and Mustaine hence the reason Cliff Burton was brought in as his replacement. When the band travelled to New York to record the album, they fired Mustaine because of his drug and alcohol problems as well as his aggressive behavior and his clashes with the band. That is when Metallica called in the one time student of Joe Satriani and at the time Exodus guitarist Kirk Hammett to replace him. The story doesn’t end there though with Dave Mustaine as you’ll see in the next paragraph. Let’s check out the album!
Hit The Lights is the very first track on the album and it’s actually a song that James brought over from his original band Leather Charm. I like how when the track starts out, it sounds like a bunch of madness before the razor sharp, fast as lightning thrash metal playing begins and it’s a song about hitting the stage to rock out. The Four Horseman is the next track on the album and it’s one of four songs that feature Dave Mustaine with a writing credit. The only thing is that James changed the lyrics and the title of the song from Mechanix to The Four Horseman and he wrote about the four horseman of the apocalypse. One interesting fact about the song is that it was based off of the main riff to Lynyrd Skynyrd’s Sweet Home Alabama when Dave was goofing around with it in rehearsals with Cliff. Motorbreath is the next track and it’s actually the shortest track on the album. It’s one of my favorite tracks on the album because every time I hear it, I think of Motorhead for some reason because of the beginning. Jump In The Fire is the next track on the album and it’s another one that gives credit to Mustaine and it’s also one of the first original songs. When Metallica performed the track live, it was in standard g tuning, but since 2004 they changed it to F standard tuning. Lars at one time claimed that the song was written to sound like Iron Maiden’s Run To The Hills which was a very popular song at the time. (Anesthesia) – Pulling Teeth is the iconic bass solo track by Cliff Burton which showcases the legendary skills that Cliff had.
Whiplash is the next track on the record and it was the first single released about the effects of headbanging during concerts. “Bang your head against the stage like you never did before,” is an example of a lyric that talks about it. There’s also a rumor that this was Kurt Cobains favorite Metallica song. Phantom Lord is another track on the album that gives Dave Mustaine credit. The beginning of the track has that early Maiden Killers era like beginning before it shoots out of the canon like a Diamond Head track. No Remorse is a track that starts off with some Metal swagger before it kicks into the prototypical thrash song with the solo in the beginning. There are moments where it seems like Metallica experiments with elements of Doom like in the 1:23 mark. This is definitely one of my favorite tracks on the album. Seek & Destroy is one of the most iconic Metallica songs that was heavily influenced by Diamond Head and Saxon. I say that because Lars claimed that the track was heavily influenced by Diamond Head’s Dead Reckoning. The first three mini solos were influenced by Saxon’s Princess Of The Night. I wonder how many of you have noticed the unusual pitch of the string bend in Kirk Hammett’s solo at the 3:47 to 3:48 mark because Kirk has certainly apologized for it since it’s release stating that it is a bum note.
Metal Militia is the last track on the album and it’s also the last credited to Dave Mustaine. It’s also another thrash classic and you can certainly hear Dave’s influence on the track. I’m telling you that there hands are moving at the speed of light on the guitar because the song just blazes a trail behind it. Thanks to Cliff Burton, the album was called Kill Em All instead of Metal Up Your Ass which the producers thought was too offensive. I suggest that anyone that wants to get deep into Metallica’s music needs to listen to this record because of it’s historical significance to the band. Expect reviews of Ride The Lightning and Master Of Puppets to come at a later time, but for now this one needs a final grade. I am going to give this album four stars out of five only because it was their first record and it definitely made an impact.