Posts Tagged ‘Misfits’

Pasted-image-at-2016_05_12-04_56-PMThere was some very big news that was announced yesterday (May 12) and I have it here for you guys. Since it was kind of hinted that there would be no more Mayhem Fest after last years debacle, the summers were kind of left with nothing leaving metal fan asking the question of what was going to take over? Earlier in the week, it was announced that Corey Taylor (Slipknot/Stone Sour) and Ozzy Osbourne had an announcement to make. I immediately thought that it was either going to be about Ozzfest or Knotfest, I never thought that it would actually be about both. Apparently, they are calling it Ozzfest Meets Knotfest and it’s happening on a weekend in September in San Bernardino, CA. Ozzfest happens on September 24 while Knotfest happens on September 25 at the  San Manuel Amphitheater with some real heavy hitters. Ozzfest features bands like Black Sabbath, Megadeth, Black Label Society, Disturbed, Hatebreed, Goatwhore, and many more. Knotfest features heavyweights like Slipknot and Slayer co-headlining while it also features Amon Amarth, Anthrax, Overkill, Sabaton, Death Angel, and many more. Tickets go on sale May 20TH and for more information on the fest, please go here. I’m going to insert a little bit of my opinion here and say that while it’s cool that this is happening, it doesn’t help anyone that doesn’t live in California. If a metal fan can’t afford to fly out to California to see this then he is left with nothing for the summer. I’m just saying that I hope either one of these becomes a travelling festival next year. Here are the full lineups below:

Ozzfest: Sept. 24

Black Sabbath
Black Label Society
Rival Sons
Children of Bodom
Dead Cross
Municipal Waste
The Shrine
Still Rebel

Knotfest: Sept. 25

Amon Amarth
Suicide Silence
Butcher Babies
Man With a Mission
Death Angel

MisfitsAdmatRevThe next piece of news that I have is something you should be really excited for especially if you are either a fan of horror punk or Glenn Danzig in general. For the first time since 1983, the original lineup of The Misfits is going to reunite for a couple of gigs. That is right, Glenn Danzig, Jerry Only, and Doyle Wolfgang Von Frankenstein on the same stage at Riot Fest Denver and Chicago. We all know that Doyle has on occasion go on stage with Glenn and so the real issue was between Jerry Only and Glenn. Jerry Only once said this in an interview, “What I feel is that, I’d rather be where I am and be happy and be a positive influence than to be the richest man in the world and miserable and be a scumbag to the kids that follow us. I’m not doing that. I told Doyle that. I told him, ‘Hey look, if Glenn wants to come be a team player and leave that s–t at home, we’re good.’ That’s the name of the game.” I would have loved to be in the room when those two met, but they obviously have broke some ground considering the band is back for a couple of gigs. Tickets for Riot Fest are available as we speak and you can get them by going here.


samhain 3As you all know we are deep into our observance of the great holiday of Halloween or All Hallow’s Eve as I like to refer to it which means that all posts in October are Halloween related. In the past, I covered albums from Glenn Danzig including one from his solo band and one from the Misfits. It would be silly to do one of these and not include the band he started after he left the Misfits that would eventually turn into Danzig in the band Samhain. In 1986, Samhain would release their second album entitled Samhain III: November-Coming Fire (Via Glenn’s label Plan 9) that James Hetfield of Metallica considers one of his top ten favorite albums of all time. The album featured Glenn doing vocals as well as keyboards and drums on some of the tracks as well as Eerie Von (Bass), Pete “Damien” Marshall (Guitars), and London May (Drums). As you can see in the album cover, there’s the famous Danzig skull that would appear on later Danzig records. The album is often stylized as Deathrock, but it’s a very influential horror punk record that influenced a lot of thrash metal bands as well.

samhain_november-coming-fire_back1. Diabolos 88– right from the start on this instrumental track it has a very goth rock dance feel to it in the beginning and throughout. It reminds me of bands like Bauhaus and what they did and it belongs in a horror film 4/5

2. In My Grip– This song brings back that punk fury that we were all used to from Danzig where it’s hard charging and in your face in a track that I think is about relationships. 4/5

3. Mother Of Mercy– A cool rock track with a real stompin’ riff in a track that I always thought was about a dominatrix. 4/5

4. Birthright– An evil sounding track right from the get go with a metal feel to it that reminds me of Diamond Head. 4/5

5. To Walk The Night– We all know Glenn was a huge fan of the 50’s and this song has that 50’s oldies feel to it, but he gothed it up a little in a track that reminds me of a lonely vampire. 4/5

samhain-november-coming-fire-3038226. Let the Day Begin– a return too that punk/rock sound like in some previous tracks and this is one of my favs and it has melody to it. 5/5

7. Halloween II– A base heavy track that is one of the more famous tracks and a fitting track for the amazing holiday that is Halloween. 5/5

8. November’s Fire– Here is the title track for you guys with that 80’s punk feel to it. This is definitely another highlight of the record in my opinion. 5/5

9. Kiss Of Steel– A track that wastes no time getting right in your face in a track that I think is about owning a Chevy with balls and loving the fast lane. 4/5

10. Unbridled– a track that starts with a really cool drum riff before the guitars come in with the speed like playing in a track that could be about not being satisfied so you turn up the notch on everything you do. 4/5

11. Human Pony Girl– a punk track with a cool bass line about dominating a woman sexually. 4/5

My Final Thoughts– When you listen to this record you can hear early hints of his later work in some of the tracks cause it’s present in his songwriting. When I first started listening to Glenn, I was introduced to his solo work and Samhain which I have always been fond of. This is an amazing record that registers at 28 minutes in length so I say give it a shot. I am giving the record four stars out of five for a final grade.