Is Lizzy Borden Touring With Motley Crue and Co.?

I usually do not like to deal in speculation especially when reporting on News because until it’s proven true then it’s just an opinion. So, I have some speculation news that could be huge for the rock and metal world. Nine hours or so ago, Lizzy Borden posted a picture (to the left of this paragraph) with no caption listing them as the fourth band on a bill that already features Motley Crue, Def Leppard, and Poison. The bill is already stacked with some top talent that adding Lizzy Borden to the bill would just be absolutely maniacal and would be sure to conjure up some competition for sure as to who ruled the bill. Then around the same amount of time, the band would post this next picture below asking if their fans would be intrigued to see the show if it actually happened.

So as far as we know, nothing is set in stone or concrete as to whether this is just wishful thinking on part of Lizzy Borden or if there is any actual truth to this. I have not seen any other rock or metal news sites post anything on this yet, but if I do see anything be sure that we will post the news, but there is one question that remains. Would you want to see Lizzy Borden added to this bill?

Collaboration Of The Week: Outlaws & Outsiders by Cory Marks featuring Ivan Moody, Travis Tritt, and Mick Mars

We only did one of these Collaboration Of The Week posts before and with a new song on the horizon, I figured this was a good time to bring it back. Now, I am not usually a fan of country music. but I have enjoyed some outlaw country rock and just about any kind of country that mixes rock music with it. This week, I am presenting to you brand new music from country artist Cory Marks who collaborated with country legend Travis Tritt, Five Finger Death Punch’s Ivan Moody (whose no stranger to country, check out FFDP’s cover of Blue On Black), and Motley Crue’s Mick Mars for Outlaws & Outsiders. It might sound like the strangest collaboration for a country artist or even the other guys involved, but when you listen to it, it just makes sense. It has the foot stomping country twang to it during the verses and the louder than hell rock sound attached to it that just blends so perfectly to create some modern day Southern Rock. Five Finger Death Punch is apparently working on new music while Mick Mars is going to be a busy man with the Motley Crue reunion and his solo album that he says he will not release until he is satisfied with it. While you wait for those, check out Outlaws & Outsiders below:

Album Of The Week: Under Lock and Key by Dokken

One of the most underrated bands to ever come out of the sunset strip metal scene will always be Dokken. They were musically different despite the overall look of the band that was made up of Don Dokken (Lead Vocals), George Lynch (Guitars), Jeff Pilson (Bass), and Wild Mick Brown (Drums). They may have shared the same area code as bands like Motley Crue, Ratt, etc., but they were definitely more melodic and more in the metal sphere then their peers. On November 22, 1985, the band would release their third studio album in Under Lock and Key via Elektra Records and was produced by Neil Kernon (Autograph/Queensrÿche) and Michael Wagener (Accept/Skid Row). The album was pretty successful for the band as it peaked at number 32 on the Billboard Top 200 Charts (higher than Tooth & Nail which was 49) and it included two singles that would hit the charts as well. The album was certified Gold by 1986 and it was certified platinum by 1987 and it was well received by most critics who thought it was a more complete album from the bunch while also realizing that heavy metal purists would likely choose Tooth & Nail as a good introductory album.

1. Unchain The Night– The opening track on the album and I love the intro which is brooding and eerie with the bell ringing along with George’s clean channel playing before they turn it up to 11. I think the track is about a couple that is on the brink of breaking up and Don is optimistic that it isn’t done yet. 5/5

2. The Hunter-Another mid paced rock from the band that just absolutely rips as Lynch’s guitar roars in this track. I think the track is about how even though he has someone at home, the life of a rockstar just takes over and it’s excess on the road. The guitar solo on here is absolutely amazing. 5/5

3. In My Dreams– This is one of my favorite Dokken songs with the great harmonizing in the beginning to the roar of Lynch’s guitar to Don’s amazing vocals in this song about a lost love that still runs through his dreams. 5/5

4. Slippin’ Away– as one critic called this, a “saccharine ballad” and that is what it is and not exactly my favorite either from the band. 4/5

5. Lightnin’ Strikes Again– a return back to form with this track that actually sounds like a left over from Tooth & Nail as far as it’s tone and pacing. I think the song is all about performing on stage and everything that comes with it. 4.5/5

6. It’s Not Love– This may be the coolest Dokken song ever written with it’s cool bluesy guitar riff and harmonized gang vocal chants of It’s Not Love! 5/5

7. Jaded Heart– Another ballad on the album that I definitely like a lot better than the previous one. It’s about someone whose been through so much that they have a hard time seeing love. 4.5/5

8. Don’t Lie to Me– a rocker that is all about being sick and tired of loved ones lying to you constantly. 4.5/5

9. Will the Sun Rise– a deep cut on the record that I don’t think gets enough credit cause it has some great harmonies and a cool guitar riff. 4.5/5

10. Til the Livin’ End– The last track on the album and it’s a barn burner in this track that is all about a guy who is telling his girlfriend that he’s just in it for what he can get and nothing more, but she still keeps coming back. 4.5/5

My Final Thoughts– This album (which came out 34 years ago today) is definitely not as strong musically as Tooth & Nail, but it was a great follow up that doesn’t get enough credit. I loved Unchain The Night, The Hunter, In My Dreams, and It’s Not Love while Slippin’ Away is my least favorite track. I am going to give the album 4.65 stars out of five for a final grade.

Metal Video Of The Week: These Old Boots by Phil Campbell

Phil Campbell was the guitarist of Motörhead from 1984 until the death of beloved singer Lemmy Kilmister in 2015. That is 21 years of service in one of the greatest metal bands ever which means that Phil Campbell is royalty to us. With that being said, the former Motörhead guitarist is gearing up to release his first ever solo album titled Old Lions Still Roar which comes out October 25TH via Nuclear Blast Records. The album features quite an impressive group of guest musicians that the guitarist has employed for his first solo effort which shows that the 58 year old is far from slowing down anytime soon. To get us ready for the album he has unleashed a video for the track These Old Boots which features Mick Mars (Motley Crue), Dee Snider (Twisted Sister), and Chris Fehn (ex-Slipknot). Musically, the track resembles that hard blues rock sound that we were used to from Motörhead with some amazing vocals from Dee Snider. The video itself is animated and it follows a pair of boots that seem to outrun the law. Phil spoke about the record saying, “I’m really happy to release my first solo album, Old Lions Still Roar, worldwide. I’m also honored to have mega talented guests and friends do their thing. Looking forward to everyone taking a listen!” Check out the video below and make sure you check out the bundles for pre-order here.

Old Lions Still Roar Tracklisting

01. “Rocking Chair” (feat. Leon Stanford)
02. “Straight Up” (feat. Rob Halford)
03. “Faith In Fire” (feat. Ben Ward)
04. “Swing It” (feat. Alice Cooper)
05. “Left For Dead” (feat. Nev MacDonald)
06. “Walk The Talk” (feat. Danko Jones, Nick Oliveri)
07. “These Old Boots” (feat. Dee Snider, Mick Mars + Chris Fehn)
08. “Dancing Dogs (Love Survives)” (feat. Whitfield Crane)
09. “Dead Roses” (feat. Benji Webbe)
10. “Tears From A Glass Eye” (feat. Joe Satriani)

Album Of The Week: Too Fast For Love by Mötley Crüe (Leathür Records Edition)

It is Mötley Crüe week here on Moshpits and Movies where we are celebrating the release of the band’s brand new Netflix biopic The Dirt which was released this past Friday (March 22). We figured that we would cap off Mötley Crüe week by covering one of the band’s albums for the Album Of The Week post and we are giving you two albums for the price of one this week. On November 10, 1981, the band which was made up of Vince Neil (Vocals), Nikki Sixx (Bass), Mick Mars (Guitars), and Tommy Lee (Drums) would self release their debut album Too Fast For Love on their own label Leathür Records. Eventually when the band was signed to Elektra Records, the label would remix the album and re-release it in August of 1982. As far as the track lisiting and artwork is concerned, we are giving you the Leathür Records Edition of the album which features ten tracks as opposed to the nine track Elektra Records release. The original pressing of the album was limited to 900 copies to which the band quickly sold and the re-released version  eventually went Platinum while also peaking at 77 on the Billboard Top 200 charts.

1. Live Wire– The fierce and ferocious opener kicks off the show with one of the most popular tracks that band performed throughout their careers. I think the track is about when your young you think you’re unstoppable just because what you think you bring to the table is fresh and new. 5/5

2. Public Enemy #1-an awesome track that takes a look at how amazing just being young, wild, and free is because you break all the rules and everyone wants you. The song was co-written with Nikki’s former London bandmate Lizzie Grey who is credited on the song. 5/5

3. Take Me To The Top– an amazing song that has a slight punk rock feel to it at times that is all about fighting those inner demons and temptations as you go to the top. 5/5

4. Merry-Go-Round– a slow and methodical track that apparently is about something that Nikki witnessed as a kid in Seattle when he saw a man refuse to come off a Merry Go Round and was taken away in a straitjacket. 5/5

5. Piece of Your Action– This is the last track on side A and one of two songs that Vince Neil co-wrote on the album that is the original version of Ten Seconds To Love (not really, but as far as lyrical meaning it is). 5/5

6. Starry Eyes-Another amazing song that is musically in the same style as Merry-Go-Round and it’s all about a girl who you are just memorized by because she can do things no other can. The song features one of my favorite builds up to a guitar solo the band has ever done. 5/5

7. Stick to Your Guns– a very Aerosmith like swagger to the track int he beginning before the band launches into overdrive Mötley Crüe style. The track is all about doing what you think is right for you and screw what everyone else says. 5/5

8. Come on and Dance-a cool, raw hard rock classic that is all about a stripper and what this stripper can do that just hooks all the guys in. You have to love the cowbell playing that Tommy Lee includes in this song. 5/5

9. Too Fast For Love-The second best track on the record that is already amazing to begin with and that punk infused rock is awesome in this track that is all about living that rock star life. 5/5

10. On With The Show– Another amazing song and what an amazing track to end an album with. The track is song is almost autobiographical at the time for the year as it chronicles the death of Frank Feranna Jr. and the birth of Nikki Sixx. This is the second song on the album that was co-written by Vince Neil. 5/5

My Final Thoughts– Besides Shout At The Devil, this may be the greatest Mötley Crüe record ever recorded due to the fact of how hungry the band was and how raw their sound was in this track. Shout featured a more polished sound that was provided thanks to Elektra and their resources. I love every single song on this record which is why I am going to give the album 5 stars out of five for a final grade. Welcome to the five star club!!!

Cover Of The Week: Shout At The Devil by Steel Panther

We are continuing to celebrate Mötley Crüe week here on Moshpits and Movies thanks to the release of the Netflix biopic The Dirt which was released this past Friday (March 22ND). Mötley Crüe are one of those bands that was very influential as they were the leaders of the pack back in their time so it’s safe to say they influenced a lot of bands. Steel Panther is a band that pays tribute to the decadent days of the 80’s in a very exaggerated way, but that is the fun of it. While on tour in Indianapolis back in December of 2018, Steel Panther were on stage at the Old National Centre and they performed Shout At The Devil live and thanks to Fat Samurai on Youtube, we can watch it and it kicks ass. I am not 100% sure who is playing bass for the band in the video, but he’s doing his best impression of Nikki Sixx which I give him credit for. Satchel does an incredible job shredding on guitar while Michael Starr takes the vocals to a whole other level. Check out the live performance below:

Rock Single Of The Week: The Dirt (Est. 1981) by Mötley Crüe Feat. Machine Gun Kelly

The film that you all have been waiting for since the rumors some years ago and the announcement during their retirement tour press conference is going to drop on Netflix this month. That’s right, I am talking about the Mötley Crüe biopic The Dirt which stars Machine Gun Kelly a.k.a. Colson Baker as Tommy Lee, Iwan Rheon as Mick Mars, Daniel Webber as Vince Neil, and Douglas Booth as Nikki Sixx. To celebrate the film, the band returned to the studio to record four tracks together which includes a cover of Madonnas Like A Virgin and the track we chose for today’s Rock Single of the Week in The Dirt (Est. 1981) featuring Machine Gun Kelly. The track at first has a very Shout At The Devil feel with the intro, but when the band comes in, it’s very Saints Of Los Angeles sounding which is cool because it’s the natural evolution of the Crüe. If you wondering what it sounds like with Machine Gun Kelly, I have to say that his part is not overwhelming as it fits the track perfectly and it doesn’t overtake it. One of the other common questions asked is how is the band getting back in the studio without wanting to reunite and tour? Nikki answered that question in an interview with Classic Rock saying, “Yeah, I miss the guys, and I miss playing with them, and playing that music, but everyone’s fairly busy with their own thing. That’s a whole conversation that we haven’t even had at that point.” He however did not deny nor confirm the rumors, but simple said, “I don’t know if we ever will.” Check out the film on Netflix and check out the single below:

Album Of The Week: Toys In The Attic by Aerosmith

This past Sunday, we held MusicBowl 53 where we allowed you the fans to vote as Aerosmith (representing New England) took on Motley Crue (representing LA) to coincide with SuperBowl LIII. After collecting your votes on the blog and on Twitter, Aerosmith was the winner of the MusicBowl. As is tradition on the blog, we cover an album from the winning band for the album of the week post and for this week’s we chose Toys In The Attic by Aerosmith. The bad boys of Boston which was made up of Steven Tyler (Vocals/Keyboards/Harmonica), Joe Perry (Lead Guitar), Brad Whitford (Rhythm Guitar), Tom Hamilton (Bass), and Joey Kramer (Drums) released their third studio album on April 8, 1975 via Columbia Records and was produced by Jack Douglas. The album is the band’s most successful album in the United States selling over 8 million copies while peaking at number 11 on the Billboard Top 200 Charts. Rolling Stone ranked Toys In The Attic 229 on their The 500 Greatest Albums of All Time list.

1. Toys In The Attic– The title track kicks off the album in style to which Tyler recalls, “Joe was jamming a riff and I started yelling, ‘Toys, toys, toys…’ Organic, immediate, infectious…I just started singing and it fit like chocolate and peanut butter. Joe plays his ass off on that song.” 5/5

2. Uncle Salty– Is kind of a creepy song that Tyler has said that it is about an orphanage where a man named Uncle Salty works at and has his way with a girl there. Tyler said, “Salty worked in a home for lost children and had his way with this little girl. That’s what it’s about. I’m the little girl, the orphaned boy. I put myself in that place. I’m Uncle Salty too.” 4/5

3. Adam’s Apple– a bluesy track where Steven takes the time to use the story of Adam and Eve to explore man’s behavior when it comes to sexuality. 4.5/5

4. Walk This Way-This is the original version of the track before Run DMC came around in a track that is all about a high school kid who loses his virginity. There’s a funny story about the origins of the lyrics. Tyler left the original lyrics inside a cab in New York and had to rewrite them in the studio. 5/5

5. Big Ten Inch Record-This is the band’s cover of Bullmoose Jackson’s track and Aerosmith does a great job with it. 4/5

6. Sweet Emotion– One of my all time favorite Aerosmith song’s that I first heard when I watched the film Dazed And Confused. The song was written by Tom Hamilton who came up with the bass riff that was played alongside an bass marimba in the beginning. The track also featured a talk box and what Tyler describes, “On ‘Sweet Emotion’, we used these backward handclaps and four of us in the studio chanting, ‘Fuck you, Frank.’ If you play it backward, you can hear this.” 5/5

7. No More No More-a track whose lyrics Tyler describes saying, “On a song like ‘No More No More,’ the lyrics came from my verbal diarrhea, a mishmash that I made up and eventually changed the lyrics to something cool…about life on the road: boredom, disillusion, Holiday Inns, stalemate, jailbait. My diary.” 4/5

8. Round And Round-a bad ass rock song from the band whose sound reminds me of a Kiss like track with the big bass riffs to match with the guitars in a track where Brad Whitford plays lead guitar on. The lyrics seem to be talking about life as a musician and how ti just spins out of control, but it just goes round and round like a vicious cycle. 4.5/5

9. You See Me Crying– The last track on the album that the band has stated was a pain in the ass to record because it took so long due to complex playing. It’s a piano ballad that for a while Tyler didn’t remember recording due to the memory loss from the drug use. 4.5/5

My Final Thoughts– This is definitely up there in the echelon of what is considered a classic Aerosmith record and it’s definitely top five for me, but to be honest I grew up a fan of 80’s Aerosmith. I have a new appreciation over the years for their 70’s material which is why I decided to visit it today. This album really put the band on the charts and it certainly paid off as even producer Jack Douglas saw that the band had matured while being on the road before recording this. My favorite track is Sweet Emotion, Walk This Way, the title track, and even Round And Round. Uncle Salty is my least favorite track on the album. I am giving the album 4.5 stars out of five for a final grade.

MusicBowl 53: New England Vs Los Angeles

Last year, we skipped doing MusicBowl 52 because I couldn’t find a suitable band from Philadelphia to challenge a band from New England. Well that has all changed thanks to some tweets and some Instagram posts courtesy of Nikki Sixx. Nikki has proclaimed his allegiance to the Los Angeles Rams on several occasions and I have seen Steven Tyler of Aerosmith sing the national anthem while wearing a Patriots jersey. So, I figured the perfect matchup for this year’s MusicBowl was to have to be Motley Crue vs Aerosmith as it is the LA Rams vs the New England Patriots in SuperBowl LIII (53 for those who do not know Roman numerals). It makes the most sense since Aerosmith threw the first shot at Motley Crue in 1987 with Dude Looks Like A Lady, but it didn’t matter much when Motley Crue silenced their critics with 1989’s Dr. Feelgood which happened to be the band’s biggest selling and charted album of their careers with great songs like the title track, Kickstart My Heart, and Don’t Go Away Mad (Just Go Away). One thing you do have to remember is that the original Toxic Twins were in Aerosmith who were making waves in the 1970’s when guys like Tommy Lee and Vince Neil were still in junior high. Both bands have had legendary careers and were the tops of their genre and have had some legendary comeback stories as well. The problem is that only one of them can win MusicBowl LIII much like only team will come up victorious tonight in Atlanta. I am going to run the poll in two areas with this one being one and the second run through Twitter where you will have until 8:30PM ET tonight to decide. Two legendary bands, but only one can win, vote and enjoy!!! Also below the voting poll is also some examples to help you decide.

Album Of The Week: Theater Of Pain by Mötley Crüe

For an album and a time that was super decadent, I feel that I have to set the tone before I can review this week’s album of the week. The year is 1985 and you’re lead singer has served whatever little time that he received for killing your band’s best friend in Hanoi Rocks drummer Nicholas “Razzle” Dingley. What is your band supposed to do at this point in time when all the proverbial sh** has hit the fan? Most bands would crumble without their star lead singer behind the helm and then there are bands that would simply move on and try to find another singer to take his place. That is what 1980’s hair metal legends Mötley Crüe did when lead singer Vince Neil was arrested and charged. Nikki Sixx (bassist) took control of the situation as he started to write new material for the band’s third album Theater Of Pain and then he almost had Ratt lead singer Stephen Pearcy take Vince’s spot. Luckily for the band, that didn’t need to happen as Vince was eventually released and the album was recorded despite the tensions between the rest of the band (guitarist Mick Mars, drummer Tommy Lee) and Vince. The album was pretty successful for the band as it peaked at number six on the Billboard Top 200 as it went well on it’s way to going four times platinum.

1. City Boy Blues– The first track on the record that kicks off the new, more glam oriented style for the band as Nikki wrote the song about being a country kid now injected into the city life. 4.5/5

2. Smokin’ In The Boys Room– This is the bands cover of the Brownsville Station classic which helped put them back on the map. 5/5

3. Louder Than Hell– Originally written during the Shout At The Devil sessions and known as Hotter Than Hell originally. The song was reworked and turned into this classic about their love for Metal. This is as close as you’ll get to Shout. 5/5

4. Keep Your Eye On The Money– an interesting track that sounds like their singing about gambling, but I think it’s more about the gamble you take in life in the music business. 4.5/5

5. Home Sweet Home– The ultimate 1980’s ballads which was the ballsiest move the band did at the time because no other band had done it. A live staple that begins and ends with Tommy on Piano. It’s about life on the road and in a little side note this track is what made me fall in love with Mötley Crüe. 5/5

6. Tonight (We Need A Lover)– interesting track that is all about the backstage festivities that went on during the decadent 80’s. 4/5

7. Use It Or Lose It– An in your face track that is about life in the fast lane and how you better use it before you lose it. 4/5

8. Save Our Souls– Power chord heaven as this track opens up with a bluesy tinge to Mick’s guitar. It’s another track that explores their decadent ways and how their lucky to be alive. 4/5

9. Raise Your Hands to Rock– a track that starts with a more clean channel guitar sound at times in this anthem about never giving up on the dream of becoming a rock and roll star. 4/5

10. Fight For Your Rights– a track that is all about living your life to the fullest no matter what laws or what people have to say. 4/5

My Final Thoughts– I always thought highly of this album even back in 1985 when my brother would play it for me. After all it contains the quintessential ballad of the 80’s which is also my favorite track on the album. Sure, Mötley Crüe did what any band would do and that is they got better with every release. My least favorite track on the album is actually Raise Your Hands To Rock. I am giving the album 4.4 stars out of five for a final grade.