Last week, we had a battle between Hatebreed and Gojira as to who covered Metallica’s Ride The Lightning track Escape better. You voted, the results are in, and the winner of that battle is Hatebreed by two votes which means it was a closer match than the first one. This week we have an interesting battle for all of you as we feature two titans of their respective metal sub-genres covering one common track between them. In one corner, we have Floridian death metal act Six Feet Under who have been destroying everyone in their paths since 1993 when they signed with Metal Blade Records. In the other corner is their label mates who come from across the ocean from deep in the heart of Europe in Swedish melodic death metal (often credited as Viking Metal) band Amon Amarth. What could be the common thread between the two of them besides the fact that they are on the same label and almost the same genre? Well, if you are observant, then you would see that it is the fact that they both covered War Machine, a cool track from Kiss’s tenth studio album Creatures Of The Night. It’s not surprising that they covered a Kiss track as Kiss had influenced a lot of different metal bands, but who did the song better? Six Feet Under covered the track on their third album, 1999’s Maximum Violence while Amon Amarth had it as a bonus track to their eighth studio album Surtur Rising. Unfortunately, only one of them can win and you are going to decide who by voting. You have until the next War Of The Covers post to decide. So, vote wisely and carefully!
Posts Tagged ‘music’
Tags: Amon Amarth, Cover, Cover Battle, Cover Song, Covers, Creatures Of The Night, Death Metal, Escape, Gojira, Hatebreed, Kiss, Maximum Violence, Melodic Death Metal, Metal, Metal Blade Records, Metallica, music, Poll, Polls, Six Feet Under, Surtur Rising, Vote, Voting, War Machine, War Of The Covers, Youtube
Tags: 2017 Pedal To The Metal Tournament, Album Of The Week, All There Was, Arrow Of Time, Bulletproof, Condition Hüman, Eddie Jackson, Eye9, Guardian, Heavy Metal, Hellfire, Hourglass, Just Us, Metal, Michael Wilton, music, Parker Lundgren, Pedal To The Metal, Pedal To The Metal Tournament, Progressive Metal, Queensryche, Scott Rockenfield, Selfish Lives, The Aftermath, Todd La Torre, Toxic Remedy
As is tradition, we here at Moshpits and Movies cover an album by the winning band of the Pedal To The Metal tournament. So with that being said, we are covering an album from Washington progressive metal band Queensrÿche who are the 2017 Pedal To The Metal Tournament winners as they defeated the mighty Amon Amarth with the help of an incredible fan base. Queensrÿche who is now made up of Todd La Torre (Lead Vocals), Michael Wilton (Lead and Rhythm Guitar), Parker Lundgren (Lead and Rhythm Guitar), Eddie Jackson (Bass), and Scott Rockenfield (Drums) released their second album with La Torre called Condition Hüman back on October 2, 2015. It was stated that the album featured demos from the band’s previous self titled album sessions that had never made the cut along with brand new tracks that they were writing at the time. Michael Wilton described the record saying, “We’re taking the songs in the classic Queensrÿche direction but maybe a little more progressive and heavier at times.” When the album was finally released, it was met with great praise from critics and it even peaked at number 27 on the Billboard Top 200 charts and number five on the Billboard Top Rock Album charts as well.
1. Arrow Of Time– The first track of the album opens with that singature sound we love from the band with the dueling leads and amazing bass playing by Jackson that we loved from albums like Mindcrime or Empire. Todd of course sounds amazing as he belts out the lyrics to the track that talk about fighting against societies inability to avoid repeating past mistakes 5/5
2. Guardian– A definite Empire-esque track on the album that is about rising against the strangelehold of the government. 4.5/5
3. Hellfire– I love the acoustic intro of the track with the cadence like drum playing from Rockenfield. The track is heavy, hammering, and it has a cool groove to it which I definitely like. 5/5
4. Toxic Remedy– A cool track that I believe talks about how people drown themselves in toxic ways. 4.5/5
5. Selfish Lives– A very Mindcrime like track that at first the music fades in before the band launches it into overdrive with that sledge like guitar riff. 4.5/5
6. Eye9– Jackson starts off the song with a cool bass riff with La Torre coming in with a mystical sounding vocals before the band comes in smashing in. The track features a very cool guitar riff towards the end that rivals some of their best. 4.5/5
7. Bulletproof– There’s some choir like chanting in the beginning which is followed by some clean channel playing before they turn it up for the chorus in a track that is all about relationships that are struggling. 4/5
8. Hourglass– Rockenfield kicks off the track before the band comes charging in with some ferocity in a track that is all about how time is precious in life especially as you get older. 4/5
9. Just Us– Acoustic playing opens up this mid-tempo track that is ballad like, but definitely not a ballad like what we would get in the 80’s. The track seems to be about a child that maybe is a newborn or at least a child where the narrator is reflecting that no matter what happens, he will always love them. 4.5/5
10. All There Was– A very cool track that has a rockin riff that gets your blood moving that is talking about someone going through a one sided relationship where they put in and never get anything back. 5/5
11. The Aftermath– An acoustic intro track that leads into the next one. 4/5
12. Condition Hüman– The last track on the album which also clocks in as the longest track on the album at almost 8 minutes. It starts off as a mid tempo track until after the first chorus when the band turns it up with an epic metal sound. It’s a classic metal epic in the structure, etc. 5/5
My Final Thoughts– This album is exactly what Queensrÿche fans ordered as far as what we wanted from a Queensrÿche album. Todd La Torre is doing an excellent job at the helm after what is now two amazing records with the band. I can only hope that this continues to move forward and we experience more of what these guys can offer. While I would still love to see Chris DeGarmo come back and make it a three guitar band like Maiden, I think the band is doing quite fine as it is. I am going to give the album 4.5 stars out of five.
Tags: 2017 Pedal To The Metal Tournament, Amon Amarth, Death Metal, Elite 8, Heavy Metal, Iron Maiden, Judas Priest, Kreator, Lamb Of God, March Madness, Megadeth, Metal, music, New Wave Of American Metal, Pedal To The Metal, Pedal To The Metal Tournament, Poll, Polls, Power Metal, Queensryche, Testament, Thrash Metal, Tournament, Trivium, Vote, Voting
We can never have a tournament without a little controversy and in reality there is no real controversy. The tournament has always been about a fan base of one band versus the fan base of another. So, if your band was eliminated two rounds ago then sorry for that, but a lot of my favorite bands have been eliminated too. Anyways, we are here to celebrate the fact that if you made it this far it’s because your fan base kicks ass and you belong here. We have some exciting matches for all of you like Queensryche taking on Judas Priest or Amon Amarth taking on German Thrash legends Kreator. We also have Lamb Of God taking on Trivium and Testament taking on Megadeth in a super match for the Thrash division finals. After this, it only gets harder to choose a winner and that will ring especially true in the Dio division finals where Queensryche has to dethrone former two time champion Judas Priest. Does Testament have what it takes to dethrone Megadeth who have been riding the rollercoaster of success lately with a Grammy win and all? All of these questions will be answered as soon as YOU THE FANS VOTE! You have until March 24TH to vote for who you want to see make the final four, so as always choose wisely!
Tags: 2.0, Arkansas, Causality, Deathcore, Djent, Local Music, Metal, Metalcore, music, Progressive Deathcore, Spotify, Support Local Bands, Support Local Music, The Lucid Archetype, Unsigned, Unsigned Band Of The Week, Unsigned Bands
Every once in a while when you are searching for a band to cover for the Unsigned Band Of The Week, one will either stumble right in front of you or somehow they find you. That is definitely the case with this week’s band that found me on my Twitter page (@ERaticWanderer) which is why I chose them. Last week we were in Kentucky checking out a band and this week we are heading west to Little Rock, Arkansas to check out a very cool and bad ass Progressive Deathcore trio in The Lucid Archetype. The band has a new EP out called 2.0 which you can check out on Spotify which is first for me and any of the artists that I have covered for this particular piece. The track we are checking out from the EP is the song Causality which showcases exactly what the band is about. The band has all of the elements that make up a Deathcore band with the guttural screams, but the music is absolutely amazing. The track starts off like a bomb as the music just explodes into your speakers with the hammering riffs before it all of sudden changes in tempo with the clean guitars and vocals showing the band has layers to it, but never fear cause things get heavy once again. The band is super talented and one of those bands to definitely look out for because they may not be signed right now, but they definitely deserve to be. Check them out on Spotify, bandcamp, Facebook, and Twitter to stay up to date with everything they do.
Tags: Album Of The Week, Angus Norder, Black Metal, Chris Barkensjö, Death Metal, Emperor Magus Caligula, Empty Tombs, Escape from Dunwich Valley, Extreme Metal, Extreme Metal Album Of The Year, Feed The Gun, In His Infernal Majesty's Service, In Warm Blood, Lavey-athan, Martin Axenrot, Metal, music, Netherworld Emperor, Nosferatu, Oath Breaker, Patrik Jensen, Rille Rimfält, Sharlee D'Angelo, Sixth Annual Monster Entertainment Awards, The Burning Of Salem, Thrash Metal, Witchery, Zoroast
As promised here on Moshpits and Movies, we have covered the album of the year (Post Pop Depression), the rock album of the year (Gore by Deftones), and the metal album of the year (Dystopia by Megadeth) from the Sixth Annual Monster Entertainment Awards. Now we are tasked with covering the last album from the awards show and it’s one of our favorites in the Extreme Metal Album of the Year and it’s from an artist we feel is extremely underrated. Swedish Thrash Metal band Witchery won the award for Extreme Metal Album of the Year for their record In His Infernal Majesty’s Service which is also the band’s sixth album to date. The album is also the first to feature Angus Norder (Vocals) and Chris Barkensjö (Drums) as they replaced Emperor Magus Caligula (Never recorded an album with the band) and Martin Axenrot respectively. The rest of the band is rounded out by Patrik Jensen (R. Guitar), Rille Rimfält (Rhythm and Lead Guitar), and Sharlee D’Angelo (Bass). The album was released on November 25, 2016 and was produced by the band themselves.
1. Lavey-athan– The track is an all out metal assault that gives you the best of both worlds with the fierce thrash metal with a touch of black metal. This is what thrash bands should sound like today. 5/5
2. Zoroast– a thrash track with a little more of a punk attitude in the beginning, but that fierceness is still there with an amazing guitar solo towards the end. The track sort of sounds like what would happen if Shagrath from Dimmu Borgir sang thrash metal. 4.5/5
3. Netherworld Emperor– a kick ass trash track that sounds like a tribute to German thrash and Slayer. This would definitely be Satan’s theme song if he marched with troops. 4/5
4. Nosferatu– A clear tribute to Late 80’s Slayer (it has a flow like Mandatory Suicide) on this one about the famous silent era vampire that does kick ass. 4/5
5. The Burning Of Salem– A face melting thrash track with a little speed/death metal influence on the track that is about the village of Salem. 4.5/5
6. Gilded Fang– Another in your face speed metal track that reminds me of Slayer’s Jesus Saves because it doesn’t waste time and it cuts out the fat. 5/5
7. Empty Tombs– a straight up thrash metal track with a little groove metal in it that reminds me of early Sodom, but I love Norder’s vocals in this track because he gives it that black metal feel to it. 5/5
8. In Warm Blood– A cool trash track that has a little Mercyful Fate mixed into it as far as the metal feel to the track. 4.5/5
9. Escape from Dunwich Valley– I love the intro to this track with the creepy organs before the band hits the red button and explodes into your speakers. 4/5
10. Feed The Gun– A hard charging supercharged thrash track that is guaranteed to start a moshpit and be a live anthem for the band. This may be my favorite track on the album or at least one of them because it makes you want to slam dance and the solos kick ass. 5/5
11. Oath Breaker– The last track on the album that that competes with the best out of Germany as far as modern day thrash is concerned. It has the fast double bass playing of death metal with the thrash guitars and the Slayer esque solos. 5/5
My Final Thoughts– These guys are one of the most kick ass bands on the scene who have definitely done their homework on Thrash metal and German Thrash metal. As I said, this album sounds like what would happen if Dimmu Borgir had a baby with every thrash metal band in the world. I say that because the vocals are black metal esque with the thrash metal sounds. This was definitely a pleasure to listen to, lovers of Thrash should check it out. I am going to give the album 4.6 stars out of five for a final grade.
Tags: Album Of The Week, Best Metal Performance, Bullet To The Brain, Chris Adler, Conquer Or Die, Countdown To Extinction, Dave Mustaine, David Ellefson, Death From Within, Dystopia, Farah Siraj, Fatal Illusion, Fear, Foreign Policy, Grammys, Kiko Loureiro, Lamb Of God, Lying In State, Megadeth, Metal, Metal Album Of The Year, music, Poisonous Shadows, Post American World, The Emperor, The Threat Is Real, Thrash Metal
Just as we have done for the last couple of weeks, we are covering albums by bands that won at the 6TH Annual Monster Entertainment Awards. We have already covered the album of the year (Post Pop Depression by Iggy Pop) and the rock album of the year (Gore by Deftones). So, it’s only natural that we move down the line to the next which is the metal album of the year which was taken home by Megadeth for their 15TH studio album Dystopia. In a way Dystopia was a return to form for Megadeth after lackluster sales plagued their previous album. The band had some new players for the album in Kiko Loureiro (Guitars) and Lamb Of God drummer Chris Adler (who recorded the record with the band, but is not a permanent member). Together they joined Dave Mustaine (Lead Vocals/Guitars) and David Ellefson (Bass) in recording what was a huge step in the right direction as the album debuted at number three on the Billboard Top 200 charts making it the second highest charted album in the band’s history (Countdown To Extinction debuted at number two). The album also peaked in the top 5 in six other countries and the title track earned the band their first Grammy after 11 failed attempts for Best Metal Performance.
1. The Threat Is Real– The song is everything you would want to hear from Megadeth as it’s fierce, in your face, and reminds of me of Rust In Peace era Megadeth. Dave Mustaine is still writing his fierce politically driven lyrics of world destruction and it still sounds fresh. 5/5
2. Dystopia– The title track that won the band the Grammy for Best Metal Performance features some really amazing guitar work from Loureiro and Mustaine that sort of reminds me again of Rust In Peace. The song is about a world that is not ok in any way shape or form. 5/5
3. Fatal Illusion– I have always been a huge fan of Dave Mustaine and the lyrics that he writes as in this one about a prisoner so evil and against society that nothing can kill the evil inside him even the lethal injection. There is a cool bass section in the track that showcases Ellefson’s amazing abilities. 5/5
4. Death From Within– A cool track on the album about an enemy that is constantly is under attack in war that he waits for the perfect moment to enact revenge. 4.5/5
5. Bullet To The Brain– A cool drum cadence starts off the track with some acoustic guitars before the band kicks into overdrive. The track is an interesting take on relationships about how man give in easily to sex when they think they are winning, but they are really losing. 4/5
6. Post American World– an interesting commentary on the way the world is today. We all complain about what is happening in America even though we feel safe, but what if all of that changes and America falls? What will we look like in Post American World? The music reminds me a lot of The World Needs A Hero era Megadeth. 5/5
7. Poisonous Shadows– The track opens more with the clean/acoustic guitar playing before the band turns up the energy in a track about someone who holds some sort of guilt inside of them and they let it manifest. I love hearing Farah Siraj’s vocals in the background, it adds to the track. 5/5
8. Conquer Or Die– A very cool instrumental track on the album that showcases what these guys can do. I think Kiko adds some of that Brazilian flavor to this track and it’s very cool. 5/5
9. Lying In State– An in your face track right from the get go that is hammering and is classic Megadeth. The track is about the government and how they distract you fromt he real issues that are going on as our society is in decline. 5/5
10. The Emperor– The track has more of a hard rock flavor to it then the rest of the album and it may be the band showcasing their influences in a track about a president who thinks he is King, but doesn’t realize he is a joke. 4/5
11. Foreign Policy– This is the band’s cover of California punk band Fear’s track that is actually pretty kick ass. Check it out cause it sounds like something Suicidal Tendencies should have covered. 4.5/5
My Final Thoughts– Sadly I do not know if Chris Adler will return to the fold for future albums, but this was truly an amazing record. It was definitely Megadeth moving in the right direction and they deserved the Grammy and the win here. Kiko Loureiro is an amazing edition to the band and I can not wait to here what else he brings to the table. I am giving the album 4.7 stars out of five for a final grade.
Tags: Deathcore, Deftones, Doris, Hardcore, Metal, music, Music Video, Music Video Of The Week, Nu-Metal, Nuclear Blast Records, Suicide Silence
One of the most controversial subjects in all of metal or deathcore is the brand new album that is going to be released by deathcore giants Suicide Silence. The self titled album comes out this Friday (February 24TH) via Nuclear Blast and it’s garnered a lot of flack because of it’s change in sound and style. I for one am all about artists reaching out to find their creative sides because that is what is all about. Being in a band is all about evolving and according to the band they are just exploring the many influences of deathcore. Nonetheless, earlier in the year, the band released a music video for the first track off the record called Doris and this is definitely a finalist for Metal Music Video Of The Year. The band released a 360 degree video which means that you can mess with what you see from various images of the band performing live to recording in the studio and more. It’s definitely a cool way to get fans introduced to the record and what they have in store for all of you. Check out the video below and mess with the angles a little.