Posts Tagged ‘Shock Rock’

810j2mCjpZL._SS500_Marilyn Manson has had one heck of a career in my opinion and one that has seen it’s fair shares of ups and downs. He rose to the very top for a long time only to drop off a little bit before reclaiming his place in the world. The album that truly catapulted him into the spotlight was none other than his second studio album Antichrist Superstar which came out on October 8, 1996 via Nothing/Interscope and was produced by Manson, Trent Reznor, Sean Beavan, and Dave Olgilvie. The lineup credited with working on the album are Manson (Lead Vocals, Guitars), Daisy Berkowitz (Guitars), Twiggy Ramirez (Bass/Guitars), Madonna Wayne Gacy (Keys/Loops), Ginger Fish (Drums), and Zim Zum who does live guitar on Dead To The World. While the album was extremely controversial in it’s day, it was also hugely successful as well. It peaked at number three on the Billboard Top 200 charts in the US while peaking at number two in Canada, and number five in New Zealand while the album was certified platinum in the US (almost hitting double status). It also received a crap ton of accolades since it’s release with too many to list, but Rock Sound in France ranked it 11TH on their 150 greatest albums of our lifetime list.

111358511_802156461. Irresponsible Hate Anthem– The first track of the album, cycle I: The Heirophant, and the first track to kick off this rock opera concept album.I believe the track was recorded live as well. It’s in your face with a punk flare to it and features some awesome bass playing from Twiggy. It’s a track lashing back at the identity of America and the idea that we are free. 5/5

2. The Beautiful People– The lead single off the album is this drop d tuned power chord heavy track that kicks ass. On wikipedia, they describe the song’s meaning saying, “Lyrically, it is entwined with the Antichrist Superstar album’s overarching theme, a semi-narrative examination of the Nietzschean Übermensch. Within this context, “The Beautiful People” deals explicitly with the destructive manifestation of the Will to Power (“There’s no time to discriminate / hate every motherfucker that’s in your way”), while also exploring Nietzsche’s view of master-slave morality (“It’s not your fault that you’re always wrong / The weak ones are there to justify the strong”), particularly the concept’s connection with Social Darwinism and its relation to various political and economic systems such as capitalism and fascism (“Capitalism has made it this way/Old-fashioned fascism will take it away.” 5/5

3. Dried Up, Tied and Dead to the World– I love this song and always thought it was underrated in this track that is all about the worm’s experiences in the world living among the “Beautriful People” of the world and all of the lies he experiences. The last minute of the track is one of my favorite segments on the whole album. 5/5

4. Tourniquet-The second single off of the album and probably one of the best Marilyn Manson songs ever written. The heavy Alice Cooper influenced track is said to be influenced by dreams that Manson had. He described them saying, “I’ve always had these dreams about making a girl out of all these pieces of prosthetic limbs, and then taking my own hair and teeth that I saved from when I was a kid and very ritualistically creating this companion.” It’s the last step before he becomes the little Horn. 5/5

71QHsV5cIQL._SL1275_5. Little Horn– The first track in Cycle II: Inauguration of the Worm and the in your face death rock track actually has a biblical reference to it. The Little Horn is the last beast of the four beasts that David dreams about that is ruled by 10 kings, but that Little Horn is the scariest one and that is the Antichrist Superstar in our story. 5/5

6. Cryptorchid-a techno like beginning with some bass playing and is the shortest track on the album (and his discography as well).  The song overall is about how society likes to beat down their views into children’s heads before they can form their own opinions. 5/5

7. Deformography-a heavily keys/samples/loops driven track that is all about the worm wishing to get back at the “Beautiful People” of the world. 5/5

8. Wormboy– a crazy sounding track from Manson that mixes the guitars with the programming to give it a unique sound. I believe the song is about the worm being tempted by a being calling himself the Antichrist. He realizes that everything they said about sinning is true and he’s excited because he wants to live the sinful life but he’s not sure either. 5/5

9. Mister Superstar-A great rock track written by Twiggy that sees the worm as a rockstar now as he has evolved. I also think it’s a reflection of fame where no one knows you and wants to be around you until you become this big star. 5/5

10. Angel with the Scabbed Wings– a great track that sees the worm finally evolve into the the angel with the scabbed wings where he has people that worship and people that fear him. Definitely one of my favorite tracks on the album. 5/5

11. Kinderfeld– I have always loved the beginning and overall sound of this track which always sounded like a laser going off along with that ominous bass riff. I think the track is about the worm asking the Distengrator what it’s like to be that figure. 5/5

imgbin-compact-disc-antichrist-superstar-marilyn-manson-album-smells-like-children-marilyn-manson-TKt7DmzkNNK9w0CH3zCRW0ggU12. Antichrist Superstar– The first track of Cycle III: Disintegrator Rising and Manson says the song is about “I’m satirising the fascism of politics, of religion, and most importantly the fascism of rock’n’roll. Whether people are realising that, or simply buzzing off the spectacle, isn’t my concern. I’m thoroughly entertained by it as a massive piece of performance art because it has so many dimensions, because we’re the polar opposite of Nazism, would be the first to be destroyed by it, and we’re using that imagery against itself … Words and symbolism are only as powerful as you make them. Just looking at fascist imagery doesn’t make it hateful … All there is, is making people think for themselves. That’s it. No answers. You make your choice. Fascism is precisely what I’m out to destroy but if people see our show and see fascism, it’s in them already. It’s a self discovery and that’s what we’re here for, to make people think, enable self-discovery. I ain’t here to condemn or condone. I’m here to go against the grain. I’ve transformed my world so that I am my own work of fiction, with no boundaries to what I can do, no limits. I’m saying anyone can do that. Anyone.” 5/5

13. 1996– a industrial punk like pace on this song that is about being anti everything even anti you, etc. 5/5

14. Minute of Decay– a bass driven track that features some interesting sounds that the band created for the track. It almost seems like the track is sort of an off day for our main character who seems to be depressed about his new role. 5/5

15. The Reflecting God– This is an incredible song to hear live with it’s amazing chorus, but it’s another bass driven track that features some acoustic guitars in it by Danny Lohner as well as a wall of noise. It’s all about making up your own mind about life. 5/5

16. Man That You Fear– One of the eeriest songs ever written by Manson and the last track on the album. Things are different for the worm as he has become the man that everyone fears and there is no much he can do. 5/5

My Final Thoughts– This was one of the best albums that Manson ever wrote besides Mechanical Animals and one of the best alternative albums of the 90’s. The album was a perfect storm for him as it rose him to ranks that life was imitating art in a way as people feared him more. I gave the album five stars out of five for a final grade.

IMG_7714The first time I ever heard the track God’s Gonna Cut You Down, the traditional folk song was by the man in black Johnny Cash who recorded the track for his album American V: A Hundred Highways. It was a different take then the usual versions that were recorded because his was a stripped down version as opposed to the gospel versions that came before it. Apparently during his Heaven Upside Down Tour, Marilyn Manson was performing the Johnny Cash version of the song live, but in fact he recorded a version of the track for the soundtrack to the 2017 film 24 Hours To Live. He talks about the song telling Loudwire, “I enjoyed doing it. I did it in one take and everyone thinks that Johnny Cash wrote it and I looked up the people that covered it and it was great because it’s Elvis, Tom Jones… It’s originally just some soul singer back in I don’t even know what era. The chords that Tyler [Bates] played, it was slightly similar to the version that we’re most familiar with, the one that Tom Jones and Johnny Cash did, most notably.” Check out the track below because Manson does an amazing job morphing his style into the track:


220px-Alice_Cooper_ParanormalSometimes choosing the very next Rock video of the week can be as easy as 1-2-3, but then there are those times when it’s not. This week’s choice for rock video of thew week was not one of those difficult situations because it’s from the original king of shock rock Alice Cooper. After releasing his 27TH studio album Paranormal back in July of 2017, he has been supporting the record and just to let you know it’s one of the first records in a very long time to feature former Alice Cooper Band members like Dennis Dunaway as well as other special guests. Well to keep us entertained through the holidays, Alice has just released a video for the track The Sound Of A and we have it for you right here. The track was originally written by Alice before he even joined the band in 1967. It had been lost in the netherworld until Dennis brought the track to Alice’s attention and that is how it ended up on the record. The video is as eerie as the track as you see different people as they don the iconic make up of Alice Cooper throughout the video. Check out the video below and be on the lookout for the vinly 10″ release of the track in February.

war of the covers copy He's BackLast week, we had an interesting triple threat match that saw Anthrax do battle with Tarot and Godspeed featuring Bruce Dickinson to decide who covered Black Sabbath’s Sabbath Bloody Sabbath better. You voted and decided that ultimately without contest that Anthrax had the best version. I want to let you guys know that coming in the fall will be my fourth Alumni Weekend Takeover at my Alma Mater and by voting, you are deciding what I am going to play because the winners of the War Of The Covers will be played on the show as we do a covers segment this year. With that being said, it is time to move on to this week’s War Of The Covers which features a track from the king of Shock Rock in Alice Cooper. Back in 1986, Alice recorded a track for the Friday The 13TH Part VI: Jason Lives soundtrack called He’s Back (The Man Behind The Mask) (It was also on the album Constrictor) that was epic with those synths and that cool bass line. This week we have two interesting bands in a European match as Sweden’s One Man Army and The Undead Quartet take on Finland’s Warmen featuring Alexi Laiho. One Man Army… covered the track for their 2007 album Error In Evolution while Warmen covered the song with Alexi of Children Of Bodom on vocals for their 2014 album First Of The Five Elements. Now it’s up to you guys to decide who covered it better and who makes the show this fall. You have until the next War Of The Covers post to decide.

As a horror or 80’s rock/metal fan, you may recognize the title of the song featured int his article, but you may not recognize the band. Well, I am here to tell you that you need to get acquainted with the name Beasto Blanco because the band features longtime Alice Cooper collaborator and bassist Chuck Garric and Alice’s daughter Calico Cooper on Vocals. The band decided to cover the 80’s Cooper classic Feed My Frankenstein and Chuck talks about the track saying, “I’ve been performing that song with Alice Cooper for years. I talked to Alice and said ‘I’m thinking about covering ‘Feed My Frankenstein’ on the Beasto Blanco record.’ Alice responded with ‘I think that would be a great idea. I think you guys will really knock it out of the ballpark.” The self titled album which comes out November 25TH via Rat Pak Records is a follow up to the bands debut 2013 record Live Fast, Die Loud. and if you are curious about the band’s sound just think of White Zombie and Motorhead. Of course this is your Halloween related Music Video Of The Week and you can check it out below:

mansonFor this week’s album of the week, it simply took me to listen to a mix CD I had made of Marilyn Manson to inspire me to choose one of his albums. The question was obviously which one would I choose from the legendary shock rocker. So for this week’s album of the week, I chose Marilyn Manson’s fourth studio album Holy Wood (In The Shadow Of The Valley Of Death). The album was the third and final chapter of a trilogy that included 1996’s Antichrist Superstar and 1998’s Mechanical Animals although this one is considered the first chapter. The album once again featured Marilyn Manson (Vocals), John 5 (Guitar), Twiggy Ramirez (Bass), Madonna Wayne Gacy (Samples/Keys), and Ginger Fish (Drums). The album is essentially a concept album about a man from Death Valley named Adam Kadmon (meaning Primal Man) who travels to a place called Holy Wood where death is king and makes you famous. Marilyn commented saying, “Holy Wood”—which isn’t even that great of a hyperbole of America—is a place where an obituary is just another headline. Where if you die and enough people are watching, then you’re famous.” The album definitely came with some controversy as it was released a year after the Columbine shootings for which the media and political heads tried to crucify Marilyn. Like Antichrist Superstar and such, he divides the album into parts A: In the Shadow, D: The Androgyne, A: Of Red Earth and M: The Fallen which help tell Adam’s story. The album had some success as it peaked at number 13 on The Billboard Top 200 charts and it went Gold in the US.

manson 21. GodEatGod– The opening track of the album and it’s very eerie with it’s heavy bass driven flow and the lyrics is apparently about Adam meditating in the desert. 4/5

2. The Love Song– I love the bass riff during the verses of this track before it gets heavy with the guitars in the chorus. The track’s lyrics deal with Holy Wood’s religion Celebritarianism. Manson described the lyrics and his metaphor for guns saying, “I was suggesting with the lyrics that the father is the hand, the mother is the gun, and the children are the bullets. Where you shoot them is your responsibility as parents.” 5/5

3. The Fight Song– This track which is one of my favorites on the album is an all out heavy punk anthem. The track is about Adam’s desire to be a part of Holy Wood and Manson elaborated saying the track is about, “a person who’s grown up all his life thinking that the grass is greener on the other side, but when he finally [gets there], he realises that it’s worse than where he came from and that it’s truly exploitative.” 5/5

4. Disposable Teens– A Manson rock song all the way through and you can hear Gary Glitter’s Rock And Roll Pt. 2 influence on the track. The track’s lyrics deal with the disenfranchised youth of America who have been treated like mistakes. 5/5

5. Target Audience (Narcissus Narcosis)– This has been said that it is Marilyn’s favorite track on the record that best describes everyone’s dying desire for Self-actualization. 5/5

Manson Tarot6. President Dead– If you didn’t notice, the track is only 3:13 minutes long which is a nod to a frame of film from Zapruder film which is essentially the fatal head shot suffered by John F. Kenendy. According to reports, the band borrowed the riff from Radiohead. 4/5

7.  In The Shadow Of The Valley Of Death– According to Wikipedia the track, “is an introspective song with Adam at his most emotionally vulnerable, nearly despairing.” The track is very dark with it’s acoustic riffs mixed with some creepy elements before the band kicks in. 4.5/5

8. Cruci-Fiction in Space– A very cool track with it’s drum machine combined with a machine like riff that continues to explore the death of John F. Kennedy almost comparing him to Christ like he’s a martyr. 4/5

9. A Place in the Dirt– Another personal track on the album for Manson which looks at where Adam feels he is at Holy Wood. The song starts off very slow and eerie during the verses, but the tempo turns up during the choruses. 4/5

10. The Nobodies– This is one of my favorite tracks on the album with the synth intro that kind of looks at the Columbine shootings, but it doesn’t glorify it. It instead looks at a society that is drenched in the blood of it’s children. 5/5

manson 311. The Death Song– This is the turning point in the album where Adam no longer cares. According to a report, Manson described the track as sarcastic and nihilistic saying, “it’s like ‘We have no future and we don’t give a fuck.” It’s an amazing song that has a cool groove to it with the bass before it gets heavy as hell. 5/5

12. Lamb Of God-The tempo is slowed down for this track that uses the ways John F. Kennedy, John Lennon, and Jesus Christ died to throw in his accusers faces. He kind of says that by it being seen on TV, you are instantly made a saint and a martyr by the media and public. 4/5

13. Born Again– An Industrial heavy rock track that sort of brings us back to the old days in track where Manson is sort of mocking false rebels of the world. 4/5

14. Burning Flag– The music reminds me a lot of Minstry in it’s style in a track that is sort of mocking our society and how the law just doesn’t work anymore. 4/5

15. Coma Black– Is this the sequel or prequel to Coma White? A slow tempo track that looks at the loss of love and what is important in a world that sucks. 4/5

holywood cd16. Valentine’s Day– Another one of my favorite tracks on the album that has a cool bass line during the verses. The song’s lyrics could describe a number of things depending on how you look at it. 5/5

17. The Fall Of Adam– A quick two minute track that could be describing the fall of our main character Adam. An acoustic track showing the band’s versatility. 4/5

18. King Kill 33º– An interesting track that serves as our main character lashing back at the people who denied him, ridiculed him for others mistakes. I love the riff to this song which is almost machine like. 4/5/5

19. Count To Six And Die (The Vaccuum Of Infinite Space Encompassing)– The track is the last song on the album and it could signify the end of Adam as he feels there is no other way out. 4/5

My Final Thoughts– This is definitely not my top Marilyn Manson record, but this was sort of the last really good album he made before the recent two he just dropped. This was also sort of his comeback to the forefront after the media, politicians, and religious nuts tried to bury him for Columbine. This album was a battle cry for artists to not be scapegoats anymore because of their art. I am giving the album four stars out of five for a final grade.

Its that time of the year which means that it’s my favorite time of the year as all month long we celebrate Halloween here on Moshpits And Movies. That means that every post like the Single Of The Week and so on will have a horror or Halloween theme of some sort attached to it. We did it last year and we are continuing it once again this year. Our first cover of the week goes to one of the oldest shock rock bands from the 80’s in Impaler who are still going strong today. In the year 2000, the band released the album One Nation Under Ground which featured the band covering the Alice Cooper classic Teenage Frankenstein which is also one of my favorite 80’s Cooper songs. While the point of a cover is to take the song and make it your own, the band certainly takes my advice on that one. The band speeds up the tempo a little giving it a punk/speed metal feel to the cover which I can definitely dig. If you want to check out more from Impaler, please visit the bands Facebook page here and check out their cover below:

It’s still nice to know that there are artists out there who take the time to create music videos that capture the essence of their song or they are creating works of art to coincide with their song. It’s nice to know that because obviously the MTV days are over and some could say why bother do it at all, but not Marilyn Manson. The modern king of Shock Rock continues to defy the odds as he creates his modern piece of art in the form of the brand new music video for the track Third Day Of A Seven Day Binge which is often credited as the stand out track from The Pale Emperor, the latest effort from Manson. The new wave/blues mix is definitely a track that has caught the attention of many in the music world as it proves that Manson is still prevalent when others were counting him out of the rock scene. Many can listen to the track and imagine what visuals Manson could provide for the song, but in this video it’s a dirty Manson who sort of resembles an actual drug than a person metaphorically speaking. Is he the meth pipe? We could say yes due to the lights and smoke and the ash that covers his face, but one thing is for sure and that the song and video rock. Check it out below and be sure to check out Manson on his co-headlining show with The Smashing Pumpkins. Check out the tour dates below:

Tour Dates with The Smashing Pumpkins

7/10 — Las Vegas, Nev. — The Joint at Hard Rock Hotel & Casino
7/11 — Phoenix, Ariz. — Comerica Theatre
7/13 — Morrison, Colo. — Red Rocks Amphitheatre
7/15 — Dallas, Texas — Gexa Energy Pavilion
7/16 — Houston, Texas — NRG Arena
7/18 — San Antonio, Texas — Freeman Coliseum
7/19 — Austin, Texas — Austin City Limits Live
7/20 — New Orleans, La. — Bold Sphere Music at Champions Square
7/22 — Miami, Fla. — Bayfront Park Amphitheatre
7/24 — Tampa, Fla. — MIDFLORIDA Credit Union Amphitheatre
7/25 — Atlanta, Ga. — Aaron’s Amphitheatre at Lakewood
7/26 — Raleigh, N.C. — Red Hat Amphitheater
7/28 — Boston, Mass. — Blue Hills Bank Pavilion
7/29 — Holmdel, N.J. — PNC Bank Arts Center
7/31 — Wantagh, N.Y. — Nikon at Jones Beach Theater
8/1 — Mashantucket, Ct. — Foxwoods Resort Casino
8/2 — Camden, N.J. — Susquehanna Bank Center
8/4 — Toronto, Ontario — Molson Canadian Amphitheatre
8/5 — Clarkston, Mich. — DTE Energy Music Theatre
8/7 — Chicago, Ill. — FirstMerit Bank Pavilion at Northerly Island
8/8 — Cincinnati, Ohio — Riverbend Music Center

For today’s Soundtrack Saturday film, I turned to an artist that is truly one of my favorite artists to spawn out of the 1990’s which was a weird decade to begin with. I of course am talking about the man I dubbed the last living true rock star in shock rocker Marilyn Manson who gave us the song Long Hard Road Out Of Hell which at the time was also the name of his first and only autobiography. In 1997, New Line Cinema decided to release a film that was sort of a superhero film that was written and drawn by the awesome Todd McFarlane called Spawn.  The film encompassed everything that was the style of the 1990’s in that it was dark and gritty much like how The Crow was when that was released. The film starred Michael Jai White as the title character Spawn and it also featured the likes of John Leguizamo, Martin Sheen, D.B. Sweeney, and Nicol Williamson to name a few of the actors. Much like soundtrack that was provided for The Crow film and other antihero superhero films of the 90’s they needed a soundtrack that could match the grittiness of the film. The soundtrack featured tracks from metal bands that collaborated with electronic artists like Moby with Butthole Surfers or Slayer with Atari Teenage Riot. The Long Hard Road Out Of Hell is a song that Marilyn Manson did along with the Sneaker Pimps because the song feature vocals from Kelli Ali. It’s an amazing song and definitely one of my top 10 Marilyn Manson tracks that he made. It’s also the best song he provided for a soundtrack in his career in my opinion. Check it out below:

download (4)For this week’s Heavy Metal Book Report, I chose a book from an artist that I just couldn’t wait to read his autobiography because he is such a polarizing and mysterious figure. Of course, I am talking about shock rocker the one time self proclaimed Anti-Christ Marilyn Manson. Before 1999, we were all wondering just who the man known as Marilyn Manson really was and when he released The Long Hard Road Out Of Hell we were all intrigued to find out exactly who he was as he teamed up with Neil Strauss to write the book and the book predates Motley Crue’s The Dirt so this may have been the most shocking book at the time ro at least a book that could have inspired the Crue to tell their tale. Marilyn Manson even wrote a song with the same name that would accompany the book that was featured on the soundtrack to the film Spawn. Marilyn Manson was ready to tell his side of the story so that we could all understand exactly just who the man was and what helped create the man we all feared. In the book, Manson dives deep into his childhood as well as his formative years coming up in the scene as Marilyn Manson right all the way to the point of the release of Antichrist Superstar. Marilyn starts with the story if his very weird grandfather that is going to set up the stage of how weird and perverse the book can get, but you won’t be able to put it down cause you are hooked.

mansonThere is always this one tale that I am going to briefly tell you about that absolutely shocked me and made me think twice about certain members of his band as well as him. When they weren’t onstage causing mayhem and destruction, they were torturing fans that would volunteer to go into this torture device that test a persons limits . You had to lie in the contraption a certain way or it would choke you to death. One kid who lied int he contraption ended up confessing some messed up information about pimping his sister. There are more twisted stories in this book that either top that story or are just as equally mind boggling. One of the most common themes in this book is Marilyn’s undying quest to find love because it seems to be the most important thing in his life that he wants to fulfill. He talks about so many relationships in this book like one with Traci Lords as well as the singer from Jack Off Jill and so many more. Besides the struggle to find love, you also learn the struggles of trying to be an artist in a world that isn’t allowing you to be one freely. So many times the labels put constrictions on him or he would be wrongfully arrested by the law just cause they didn’t like him. While the book is a shocking read, it is also a very intelligent and articulate read filled with amazing stories that will fulfill any fans desire to know information. I definitely suggest that you go an pick up the book if you can because you learn a lot in this book. I am going to give the book four stars out of five for a final grade. He is the last living rockstar after all in my opinion.