Posts Tagged ‘Shock Rock’

war of the covers copy He's BackLast week, we had an interesting triple threat match that saw Anthrax do battle with Tarot and Godspeed featuring Bruce Dickinson to decide who covered Black Sabbath’s Sabbath Bloody Sabbath better. You voted and decided that ultimately without contest that Anthrax had the best version. I want to let you guys know that coming in the fall will be my fourth Alumni Weekend Takeover at my Alma Mater and by voting, you are deciding what I am going to play because the winners of the War Of The Covers will be played on the show as we do a covers segment this year. With that being said, it is time to move on to this week’s War Of The Covers which features a track from the king of Shock Rock in Alice Cooper. Back in 1986, Alice recorded a track for the Friday The 13TH Part VI: Jason Lives soundtrack called He’s Back (The Man Behind The Mask) (It was also on the album Constrictor) that was epic with those synths and that cool bass line. This week we have two interesting bands in a European match as Sweden’s One Man Army and The Undead Quartet take on Finland’s Warmen featuring Alexi Laiho. One Man Army… covered the track for their 2007 album Error In Evolution while Warmen covered the song with Alexi of Children Of Bodom on vocals for their 2014 album First Of The Five Elements. Now it’s up to you guys to decide who covered it better and who makes the show this fall. You have until the next War Of The Covers post to decide.

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As a horror or 80’s rock/metal fan, you may recognize the title of the song featured int his article, but you may not recognize the band. Well, I am here to tell you that you need to get acquainted with the name Beasto Blanco because the band features longtime Alice Cooper collaborator and bassist Chuck Garric and Alice’s daughter Calico Cooper on Vocals. The band decided to cover the 80’s Cooper classic Feed My Frankenstein and Chuck talks about the track saying, “I’ve been performing that song with Alice Cooper for years. I talked to Alice and said ‘I’m thinking about covering ‘Feed My Frankenstein’ on the Beasto Blanco record.’ Alice responded with ‘I think that would be a great idea. I think you guys will really knock it out of the ballpark.” The self titled album which comes out November 25TH via Rat Pak Records is a follow up to the bands debut 2013 record Live Fast, Die Loud. and if you are curious about the band’s sound just think of White Zombie and Motorhead. Of course this is your Halloween related Music Video Of The Week and you can check it out below:

mansonFor this week’s album of the week, it simply took me to listen to a mix CD I had made of Marilyn Manson to inspire me to choose one of his albums. The question was obviously which one would I choose from the legendary shock rocker. So for this week’s album of the week, I chose Marilyn Manson’s fourth studio album Holy Wood (In The Shadow Of The Valley Of Death). The album was the third and final chapter of a trilogy that included 1996’s Antichrist Superstar and 1998’s Mechanical Animals although this one is considered the first chapter. The album once again featured Marilyn Manson (Vocals), John 5 (Guitar), Twiggy Ramirez (Bass), Madonna Wayne Gacy (Samples/Keys), and Ginger Fish (Drums). The album is essentially a concept album about a man from Death Valley named Adam Kadmon (meaning Primal Man) who travels to a place called Holy Wood where death is king and makes you famous. Marilyn commented saying, “Holy Wood”—which isn’t even that great of a hyperbole of America—is a place where an obituary is just another headline. Where if you die and enough people are watching, then you’re famous.” The album definitely came with some controversy as it was released a year after the Columbine shootings for which the media and political heads tried to crucify Marilyn. Like Antichrist Superstar and such, he divides the album into parts A: In the Shadow, D: The Androgyne, A: Of Red Earth and M: The Fallen which help tell Adam’s story. The album had some success as it peaked at number 13 on The Billboard Top 200 charts and it went Gold in the US.

manson 21. GodEatGod– The opening track of the album and it’s very eerie with it’s heavy bass driven flow and the lyrics is apparently about Adam meditating in the desert. 4/5

2. The Love Song– I love the bass riff during the verses of this track before it gets heavy with the guitars in the chorus. The track’s lyrics deal with Holy Wood’s religion Celebritarianism. Manson described the lyrics and his metaphor for guns saying, “I was suggesting with the lyrics that the father is the hand, the mother is the gun, and the children are the bullets. Where you shoot them is your responsibility as parents.” 5/5

3. The Fight Song– This track which is one of my favorites on the album is an all out heavy punk anthem. The track is about Adam’s desire to be a part of Holy Wood and Manson elaborated saying the track is about, “a person who’s grown up all his life thinking that the grass is greener on the other side, but when he finally [gets there], he realises that it’s worse than where he came from and that it’s truly exploitative.” 5/5

4. Disposable Teens– A Manson rock song all the way through and you can hear Gary Glitter’s Rock And Roll Pt. 2 influence on the track. The track’s lyrics deal with the disenfranchised youth of America who have been treated like mistakes. 5/5

5. Target Audience (Narcissus Narcosis)– This has been said that it is Marilyn’s favorite track on the record that best describes everyone’s dying desire for Self-actualization. 5/5

Manson Tarot6. President Dead– If you didn’t notice, the track is only 3:13 minutes long which is a nod to a frame of film from Zapruder film which is essentially the fatal head shot suffered by John F. Kenendy. According to reports, the band borrowed the riff from Radiohead. 4/5

7.  In The Shadow Of The Valley Of Death– According to Wikipedia the track, “is an introspective song with Adam at his most emotionally vulnerable, nearly despairing.” The track is very dark with it’s acoustic riffs mixed with some creepy elements before the band kicks in. 4.5/5

8. Cruci-Fiction in Space– A very cool track with it’s drum machine combined with a machine like riff that continues to explore the death of John F. Kennedy almost comparing him to Christ like he’s a martyr. 4/5

9. A Place in the Dirt– Another personal track on the album for Manson which looks at where Adam feels he is at Holy Wood. The song starts off very slow and eerie during the verses, but the tempo turns up during the choruses. 4/5

10. The Nobodies– This is one of my favorite tracks on the album with the synth intro that kind of looks at the Columbine shootings, but it doesn’t glorify it. It instead looks at a society that is drenched in the blood of it’s children. 5/5

manson 311. The Death Song– This is the turning point in the album where Adam no longer cares. According to a report, Manson described the track as sarcastic and nihilistic saying, “it’s like ‘We have no future and we don’t give a fuck.” It’s an amazing song that has a cool groove to it with the bass before it gets heavy as hell. 5/5

12. Lamb Of God-The tempo is slowed down for this track that uses the ways John F. Kennedy, John Lennon, and Jesus Christ died to throw in his accusers faces. He kind of says that by it being seen on TV, you are instantly made a saint and a martyr by the media and public. 4/5

13. Born Again– An Industrial heavy rock track that sort of brings us back to the old days in track where Manson is sort of mocking false rebels of the world. 4/5

14. Burning Flag– The music reminds me a lot of Minstry in it’s style in a track that is sort of mocking our society and how the law just doesn’t work anymore. 4/5

15. Coma Black– Is this the sequel or prequel to Coma White? A slow tempo track that looks at the loss of love and what is important in a world that sucks. 4/5

holywood cd16. Valentine’s Day– Another one of my favorite tracks on the album that has a cool bass line during the verses. The song’s lyrics could describe a number of things depending on how you look at it. 5/5

17. The Fall Of Adam– A quick two minute track that could be describing the fall of our main character Adam. An acoustic track showing the band’s versatility. 4/5

18. King Kill 33º– An interesting track that serves as our main character lashing back at the people who denied him, ridiculed him for others mistakes. I love the riff to this song which is almost machine like. 4/5/5

19. Count To Six And Die (The Vaccuum Of Infinite Space Encompassing)– The track is the last song on the album and it could signify the end of Adam as he feels there is no other way out. 4/5

My Final Thoughts– This is definitely not my top Marilyn Manson record, but this was sort of the last really good album he made before the recent two he just dropped. This was also sort of his comeback to the forefront after the media, politicians, and religious nuts tried to bury him for Columbine. This album was a battle cry for artists to not be scapegoats anymore because of their art. I am giving the album four stars out of five for a final grade.

Its that time of the year which means that it’s my favorite time of the year as all month long we celebrate Halloween here on Moshpits And Movies. That means that every post like the Single Of The Week and so on will have a horror or Halloween theme of some sort attached to it. We did it last year and we are continuing it once again this year. Our first cover of the week goes to one of the oldest shock rock bands from the 80’s in Impaler who are still going strong today. In the year 2000, the band released the album One Nation Under Ground which featured the band covering the Alice Cooper classic Teenage Frankenstein which is also one of my favorite 80’s Cooper songs. While the point of a cover is to take the song and make it your own, the band certainly takes my advice on that one. The band speeds up the tempo a little giving it a punk/speed metal feel to the cover which I can definitely dig. If you want to check out more from Impaler, please visit the bands Facebook page here and check out their cover below:

It’s still nice to know that there are artists out there who take the time to create music videos that capture the essence of their song or they are creating works of art to coincide with their song. It’s nice to know that because obviously the MTV days are over and some could say why bother do it at all, but not Marilyn Manson. The modern king of Shock Rock continues to defy the odds as he creates his modern piece of art in the form of the brand new music video for the track Third Day Of A Seven Day Binge which is often credited as the stand out track from The Pale Emperor, the latest effort from Manson. The new wave/blues mix is definitely a track that has caught the attention of many in the music world as it proves that Manson is still prevalent when others were counting him out of the rock scene. Many can listen to the track and imagine what visuals Manson could provide for the song, but in this video it’s a dirty Manson who sort of resembles an actual drug than a person metaphorically speaking. Is he the meth pipe? We could say yes due to the lights and smoke and the ash that covers his face, but one thing is for sure and that the song and video rock. Check it out below and be sure to check out Manson on his co-headlining show with The Smashing Pumpkins. Check out the tour dates below:

Tour Dates with The Smashing Pumpkins

7/10 — Las Vegas, Nev. — The Joint at Hard Rock Hotel & Casino
7/11 — Phoenix, Ariz. — Comerica Theatre
7/13 — Morrison, Colo. — Red Rocks Amphitheatre
7/15 — Dallas, Texas — Gexa Energy Pavilion
7/16 — Houston, Texas — NRG Arena
7/18 — San Antonio, Texas — Freeman Coliseum
7/19 — Austin, Texas — Austin City Limits Live
7/20 — New Orleans, La. — Bold Sphere Music at Champions Square
7/22 — Miami, Fla. — Bayfront Park Amphitheatre
7/24 — Tampa, Fla. — MIDFLORIDA Credit Union Amphitheatre
7/25 — Atlanta, Ga. — Aaron’s Amphitheatre at Lakewood
7/26 — Raleigh, N.C. — Red Hat Amphitheater
7/28 — Boston, Mass. — Blue Hills Bank Pavilion
7/29 — Holmdel, N.J. — PNC Bank Arts Center
7/31 — Wantagh, N.Y. — Nikon at Jones Beach Theater
8/1 — Mashantucket, Ct. — Foxwoods Resort Casino
8/2 — Camden, N.J. — Susquehanna Bank Center
8/4 — Toronto, Ontario — Molson Canadian Amphitheatre
8/5 — Clarkston, Mich. — DTE Energy Music Theatre
8/7 — Chicago, Ill. — FirstMerit Bank Pavilion at Northerly Island
8/8 — Cincinnati, Ohio — Riverbend Music Center

For today’s Soundtrack Saturday film, I turned to an artist that is truly one of my favorite artists to spawn out of the 1990’s which was a weird decade to begin with. I of course am talking about the man I dubbed the last living true rock star in shock rocker Marilyn Manson who gave us the song Long Hard Road Out Of Hell which at the time was also the name of his first and only autobiography. In 1997, New Line Cinema decided to release a film that was sort of a superhero film that was written and drawn by the awesome Todd McFarlane called Spawn.  The film encompassed everything that was the style of the 1990’s in that it was dark and gritty much like how The Crow was when that was released. The film starred Michael Jai White as the title character Spawn and it also featured the likes of John Leguizamo, Martin Sheen, D.B. Sweeney, and Nicol Williamson to name a few of the actors. Much like soundtrack that was provided for The Crow film and other antihero superhero films of the 90’s they needed a soundtrack that could match the grittiness of the film. The soundtrack featured tracks from metal bands that collaborated with electronic artists like Moby with Butthole Surfers or Slayer with Atari Teenage Riot. The Long Hard Road Out Of Hell is a song that Marilyn Manson did along with the Sneaker Pimps because the song feature vocals from Kelli Ali. It’s an amazing song and definitely one of my top 10 Marilyn Manson tracks that he made. It’s also the best song he provided for a soundtrack in his career in my opinion. Check it out below:

download (4)For this week’s Heavy Metal Book Report, I chose a book from an artist that I just couldn’t wait to read his autobiography because he is such a polarizing and mysterious figure. Of course, I am talking about shock rocker the one time self proclaimed Anti-Christ Marilyn Manson. Before 1999, we were all wondering just who the man known as Marilyn Manson really was and when he released The Long Hard Road Out Of Hell we were all intrigued to find out exactly who he was as he teamed up with Neil Strauss to write the book and the book predates Motley Crue’s The Dirt so this may have been the most shocking book at the time ro at least a book that could have inspired the Crue to tell their tale. Marilyn Manson even wrote a song with the same name that would accompany the book that was featured on the soundtrack to the film Spawn. Marilyn Manson was ready to tell his side of the story so that we could all understand exactly just who the man was and what helped create the man we all feared. In the book, Manson dives deep into his childhood as well as his formative years coming up in the scene as Marilyn Manson right all the way to the point of the release of Antichrist Superstar. Marilyn starts with the story if his very weird grandfather that is going to set up the stage of how weird and perverse the book can get, but you won’t be able to put it down cause you are hooked.

mansonThere is always this one tale that I am going to briefly tell you about that absolutely shocked me and made me think twice about certain members of his band as well as him. When they weren’t onstage causing mayhem and destruction, they were torturing fans that would volunteer to go into this torture device that test a persons limits . You had to lie in the contraption a certain way or it would choke you to death. One kid who lied int he contraption ended up confessing some messed up information about pimping his sister. There are more twisted stories in this book that either top that story or are just as equally mind boggling. One of the most common themes in this book is Marilyn’s undying quest to find love because it seems to be the most important thing in his life that he wants to fulfill. He talks about so many relationships in this book like one with Traci Lords as well as the singer from Jack Off Jill and so many more. Besides the struggle to find love, you also learn the struggles of trying to be an artist in a world that isn’t allowing you to be one freely. So many times the labels put constrictions on him or he would be wrongfully arrested by the law just cause they didn’t like him. While the book is a shocking read, it is also a very intelligent and articulate read filled with amazing stories that will fulfill any fans desire to know information. I definitely suggest that you go an pick up the book if you can because you learn a lot in this book. I am going to give the book four stars out of five for a final grade. He is the last living rockstar after all in my opinion.