Posts Tagged ‘Thrash’

aIt’s the second entry this week for the album of the week in a week that already featured a release from The Queens Of The Stone Age and my review of Amon Amarth’s Deceiver Of The Gods. So, we got the fourteenth album from thrash metal titans Megadeth called Super Collider. The album’s line up consists of Dave Mustaine, Dave Ellefson, Chris Broderick, and Shawn Drover and is produced by Johnny K. The album also features a guest appearance from Disturbed/Device frontman David Draiman and it’s the first album to be released on Dave’s own label Tradecraft via Universal.

a2Kingmaker is the first track and it opens up with a very dark bass line from bass master Dave Ellefson over a helicopter. Then before you know it, Dave Mustaine and Chris Broderick came all guns a blazing with the sonic guitar assault. The track is amazing as it talks about wanting everything now and Dave acting like he wants to be the King S*** (hence Kingmaker). The title track is next and it feels like more of a hard rock song than a thrash metal song.  I’m not saying the track is bad, but it seems Dave has gone back to the days of Youthanasia and Cryptic Writings (which are some of my favorite albums) for inspiration with this track. Burn! opens up with the guitar master flexing his muscles before breaking into the track. The song is a great hard rock track, but the lyrics are a little weak (Burn baby burn cause it feels so good?) Built For War is them getting back into Megadeth mode with the double bass drum assault with the sonic assault from their fearless leader and his guitar partner in a Rust In Peace kind of style. Off The Edge is the next track on the record and it starts with some riffing before the song breaks in and as much of the album so far it explores a hard rock feel like Cryptic Writings. Dance In The Rain features Dave talking through the music as if he is telling a story to you which talks of big brother and a storm brewing so I hope you can dance in the rain. The track also features David Draiman on vocals.

a3Beginning Of Sorrow opens up with a killer bass riff from arguably my favorite bassist. It’s a track that is a little different for Megadeth with his daughter Electra adding background vocals to the track. The Blackest Crow is the next track and it has a bluegrass country feel to it that is dominant in the beginning and remains a part of the song throughout. It seems that Megadeth is expanding their horizons and I like it. As I said the bluegrass in prominent in the beginning before a cadence like drum beat starts to take over before Dave sings. Forget To Remember is the next track on the album and it’s a complete hard rock song with the power chords. Don’t get me wrong, it’s an awesome track, but if you were expecting Endgame or United Abominations by this point then your out of luck. Don’t Turn Your Back… starts off with a blues like riff before that track everybody was expecting kicks in. It hits you like a freight train with the double bass assault and that typical Megadeth like riffing. The last track on the record is a cover of Thin Lizzy’s Cold Sweat which was an amazing song to begin with. The album isn’t that bad, but it’s a little bit of a departure for Megadeth sort of like what Risk was at the time except this is ten times better than Risk. I am going to give this record 3.5 stars out of five.